Icon: Fritz Kreisler
- Friday, August 9, 2024
Tully Potter celebrates the prototypical Viennese-style violinist who for half a century was adored among peers, critics and audiences, and who made hundreds of recordings
Features
Holst's The Planets: a guide to the greatest recordings
- Friday, August 9, 2024
Holst’s celestial suite has long been a showpiece for virtuoso orchestras and a sonic spectacular for hi‑fi buffs. Andrew Farach‑Colton chooses his favourite versions from across a century of recordings
Lawrence Gilliard Jr | My Music: ‘If you want to talk about how classical music affected my life, it saved me, that’s how I feel about it’
- Friday, August 9, 2024
The actor on how learning the clarinet and attending music school changed his life
The 10 greatest Puccini singers
- Friday, August 9, 2024
In the 100 years since he died, Puccini’s operas have inspired some of opera’s most iconic recordings. But who are his music’s greatest heroes and heroines? Mark Pullinger offers a guide
Streaming music just got simpler – or did it?
- Friday, August 9, 2024
Choosing the right streaming service is still a minefield, but does Tidal’s latest move make things any clearer?
Apple’s classical ambitions: how BIS and Platoon are looking to the future of classical music
- Friday, August 9, 2024
In this month’s column, James Jolly finds out about Apple’s obvious commitment to classical music and, especially, about one of its two labels, the London-based Platoon
Contemporary composer: Oliver Leith
- Friday, August 9, 2024
Hattie Butterworth explores this young British composer’s unique influences and how collaborations are crucial to his work
Imogen Holst: a foundational force
- Friday, August 9, 2024
Imogen Holst’s music plays a major part in contemporary music label NMC’s 35th-anniversary celebrations. Founder and Executive Producer Colin Matthews chats with Richard Bratby about the composer and her importance to NMC
Classics Reconsidered: Alfred Cortot’s 1933/34 recording of Chopin’s Preludes
- Friday, August 9, 2024
Rob Cowan and Jeremy Nicholas discuss Alfred Cortot’s 1933/34 recording of Chopin’s 24 Preludes, Op 28
Nathalie Stutzmann interview: ‘Nothing educates your ears better as a conductor than when you have had the chance to approach every kind of repertoire’
- Friday, August 9, 2024
As Atlanta Symphony Orchestra’s Music Director Nathalie Stutzmann releases her first symphonic album, James Jolly travels to Georgia to watch her at work
Inside Bruckner’s Fourth Symphony with Pablo Heras-Casado
- Friday, August 9, 2024
Pablo Heras-Casado talks to Mark Pullinger about recording Bruckner on period instruments
Orchestre Philharmonique de Radio France | Gramophone's Orchestra of the Year 2024 Nominee
- Monday, August 5, 2024
Why the Orchestre Philharmonique de Radio France deserves your vote for the 2024 Orchestra of the Year Award
Video of the Day: Chanticleer performs Ronell's 'Willow Weep for Me'
- Thursday, August 1, 2024
The 12-piece vocal ensemble performs as part of the LIVE from London festival
Czech Philharmonic | Gramophone's Orchestra of the Year 2024 Nominee
- Monday, July 29, 2024
Why the Czech Philharmonic deserves your vote for the 2024 Orchestra of the Year Award
Sponsored
Cleveland International Piano Competition: Finding The Piano World’s Future Leaders
- Friday, July 26, 2024
This Sunday, July 28, one of America’s great piano competitions gets underway - don't miss it!
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