Est 1923
A new edition, a specialist conductor, a leading orchestra and a renowned production team are bringing us Ravel refreshed, enlivened … and complete
Maria Callas embodies the drama, the passion and, ultimately, the tragedy that makes opera what it is
50 of the finest Beethoven recordings available, complete with the original Gramophone reviews, featuring Nikolaus Harnoncourt, Mitsuko Uchida, Murray Perahia, Takács Quartet and more
50 of the finest JS Bach recordings available – complete with the original Gramophone reviews – featuring Glenn Gould, Angela Hewitt, Isabelle Faust, Murray Perahia and more
50 of the finest Mozart recordings in history, featuring Nikolaus Harnoncourt, Martha Argerich and Claudio Abbado, plus extracts from the original Gramophone reviews
Outstanding recordings of Fauré's greatest works, featuring Marianne Crebassa, Quatuor Ebène, Steven Isserlis, Gérard Souzay and more
Featuring outstanding new recordings of Mozart's Horn Concertos and Piano Concertos, Bach's organ works, Schubert's 'Death and the Maiden' and more
Richard Wigmore explores the music of and biography behind Robert Schumann’s miraculous year of song, 1840
How do a string quartet pursue their dream of the ideal ensemble sound? James Jolly caught up with the Carducci Quartet to learn about how they went about it
The director of ‘Maria’ on the recordings of Callas, and on what makes a great film score
Hattie Butterworth explores the output of a young composer whose style has both admirers and detractors
The pianist on reaching a billion streams, and John Adams’s new concerto
Edward Breen visits the Swiss countryside to witness a recording session of Polish medieval music from the Krasiński Codex, and hears from those who have helped facilitate the project
Editor Martin Cullingford introduces the January 2025 issue of Gramophone
Golijov’s Ainadamar at the Met; Nathalie Joachim’s Had To Be; William Grant Still’s Symphony No 4, Autochthonous
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