Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
In returning to a Rachmaninov symphony he recorded previously with the Royal Philharmonic (Virgin, 5/90 – nla), Andrew Litton goes...
Reviewed by David Gutman in issue: 11/2015
This is the fourth in Järvi’s ‘Sound Project’ series, and the first dedicated to a single composer. Arvo Pärt, in...
Reviewed by Ivan Moody in issue: 11/2015
This is big-band Offenbach on modern instruments dealing freely with both ensemble sizes and editions, no authentic honeymoon. But Chandos’s...
Reviewed by Mike Ashman in issue: 11/2015
This is, finally, the memorial that all of us who were admirers of Steve Martland’s music have been waiting for....
Reviewed by Ivan Moody in issue: 11/2015
The second disc in Christoph Eschenbach’s Hindemith series with the NDR Sinfonieorchester brings together the works that effectively marked the...
Reviewed by Tim Ashley in issue: 11/2015
Having now heard all six of the second set of ‘London’ Symphonies in this series by Bruno Weil, I have...
Reviewed by David Threasher in issue: 11/2015
Rebecca Miller has already proved her credentials at the more angsty end of the 18th-century symphony with her Editor’s Choice...
Reviewed by David Threasher in issue: 11/2015
If you don’t want to know about the scientific plotting behind this music, look away now (skip to the next...
Reviewed by Andrew Mellor in issue: 11/2015
Alice Coote, partnered with exquisite grace and scrupulous care by Mark Elder and the Hallé, gives us a Sea Pictures...
Reviewed by Andrew Achenbach in issue: 11/2015
Sebastian Klinger – first solo cellist of the Bavarian Radio Symphony Orchestra – has already committed several chamber and instrumental...
Reviewed by Hannah Nepil in issue: 11/2015
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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