Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Back in May 2011 I derived much pleasure from a Somm anthology devoted to Ian Venables’s chamber music and now...
Reviewed by Andrew Achenbach in issue: AW2015
This fifth volume of The Cardinall’s Musick’s complete Tallis edition features a coherent English set made up of Preces and...
Reviewed by Fabrice Fitch in issue: AW2015
This release should be about several things: primarily Simon Rattle’s freshly confirmed artistic relationship with the LSO – this is...
Reviewed by Hugo Shirley in issue: AW2015
Yes, the three of them do fit. It might seem an obvious piece of programming to bring together the three...
Reviewed by Richard Fairman in issue: AW2015
This mouth-watering programme of well-known anthems and unfamiliar works has the added attraction of new brass arrangements by Grayston Ives...
Reviewed by Christopher Nickol in issue: AW2015
If you’ve never heard of Johann Adam Hiller (1728-1804), I sympathise. One of music history’s forgotten men, he was revered...
Reviewed by Richard Wigmore in issue: AW2015
It was Johann Herbeck who had initially dismissed Bruckner’s F minor Mass as ‘too long and unsingable’, which is rich...
Reviewed by Peter Quantrill in issue: AW2015
The harpsichordist Bridget Cunningham and her ensemble London Early Opera are not to be confused with Christian Curnyn’s longer-established Early...
Reviewed by David Vickers in issue: AW2015
The Mark Morris Dance Company’s production of Handel’s L’Allegro, il Penseroso ed il Moderato has toured all over the world...
Reviewed by David Vickers in issue: AW2015
Bob Chilcott is the master of musical pragmatism, making the absolute most of limited forces and abilities. If that sounds...
Reviewed by Alexandra Coghlan in issue: AW2015
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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