Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The previous volumes in this series have concentrated on Poulenc’s songs with piano. Here, though, the musical horizons broaden out...
Reviewed by Geoffrey Norris in issue: 09/2015
Like Josquin before him, Palestrina composed two Masses on the ‘L’homme armé’ tune, one for four voices on the Dorian,...
Reviewed by Fabrice Fitch in issue: 09/2015
Given that the voice dominates Dallapiccola’s output, it always seems surprising that he wrote so few songs. A handful of...
Reviewed by Tim Ashley in issue: 09/2015
In 1616 the 14-year-old Cavalli joined Monteverdi’s choir at St Mark’s in Venice, and eventually in 1668 he became its...
Reviewed by David Vickers in issue: 09/2015
Harrison Birtwistle uses the term ‘song’ repeatedly in the three-minute extract from an interview included on the disc – but...
Reviewed by Arnold Whittall in issue: 09/2015
In the 18th century the Bendas were to Bohemia what the Bachs were to Thuringia. Most famous of the musical...
Reviewed by Richard Wigmore in issue: 09/2015
Masaaki Suzuki may have completed his distinguished 20-year traversal of the sacred cantatas but there are, thankfully, some additional vocal...
Reviewed by Jonathan Freeman-Attwood in issue: 09/2015
Perhaps the most remarkable thing about this disc is the sound quality. It is a concert recorded in a kind...
Reviewed by Jeremy Nicholas in issue: 09/2015
How do you listen to an album? I ask because it will have a significant impact on your enjoyment of...
Reviewed by Alexandra Coghlan in issue: 09/2015
Perhaps one way to guarantee a hit-rate of better, more informed television music documentaries would be to hand composers a...
Reviewed by Philip Clark in issue: 09/2015
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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