Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Here are 12 more or less self-contained extracts from Wagner’s operas arranged for harmonium and piano duet by Sigfrid Karg...
Reviewed by Jeremy Nicholas in issue: 09/2015
John Walsh published Handel’s Op 5 Trio Sonatas in 1739 but Challenge’s booklet-note insinuates naively that the composer himself had...
Reviewed by David Vickers in issue: 09/2015
Reynaldo Hahn is best known for his songs, his operettas and his relationship with Marcel Proust: the two were lovers...
Reviewed by Tim Ashley in issue: 09/2015
Tchaikovsky Competition winner and Rostropovich pupil Geringas makes a muscular and forthright impression in the Grieg Sonata, close to the...
Reviewed by Mike Ashman in issue: 09/2015
The Brahms Quintet treats the clarinet as a member of a five-part ensemble rather than as a lone voice set...
Reviewed by Duncan Druce in issue: 09/2015
Jacqueline du Pré was only 23 when she recorded her heady account of the Brahms cello sonatas. But this new...
Reviewed by Harriet Smith in issue: 09/2015
The Sonatae tam aris quam aulis servientes were Biber’s first published works, issued in 1676 in Salzburg, where the 32-year-old...
Reviewed by Lindsay Kemp in issue: 09/2015
This brilliant young ensemble, formed from members of the Southbank Sinfonia in 2008, made a strong impact in their debut...
Reviewed by Peter Dickinson in issue: 09/2015
Anyone who has heard a classical Viennese fortepiano live will know that it’s not an especially strong instrument; recordings, however,...
Reviewed by Duncan Druce in issue: 09/2015
With Haydn, Mozart and Schubert under their belt, it was only a matter of time before the Jerusalem Quartet turned...
Reviewed by Harriet Smith in issue: 09/2015
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.