Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Good things come to those who wait, so the saying goes, and in Richard Baker’s case, it’s been a particularly...
Reviewed by Pwyll ap Siôn in issue: 05/2024
Mozart had Anton Stadler and Brahms had Richard Mühlfeld – clarinettists who inspired late masterpieces for their instrument. Heinrich Joseph...
Reviewed by David Threasher in issue: 05/2024
These days we no longer need be defensive about the Reformation, trashed by Mendelssohn himself, or the symphony-cantata Lobgesang, once...
Reviewed in issue 05/2024
Which is the most important: the journey or its destination? For Gidon Kremer, whose professional career has spanned over half...
Reviewed by Pwyll ap Siôn in issue: 05/2024
Josephslegende, the first of Strauss’s two ballets, was composed to a scenario by Hugo von Hofmannsthal and the Anglo-German count...
Reviewed by Christian Hoskins in issue: 05/2024
The obvious question is why it has taken more than 17 years for Haitink’s second recording of Shostakovich’s wartime colossus...
Reviewed by David Fanning in issue: 05/2024
Early in his tenure as music director of the Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano made some very...
Reviewed by Mark Pullinger in issue: 05/2024
This is the third and best release in the ongoing Prokofiev symphony cycle from the LSO and its principal guest...
Reviewed by David Gutman in issue: 05/2024
A near-perfect combo of works spanning the length and breadth of Carl Nielsen’s life’s work. The tone poem Pan and...
Reviewed by Edward Seckerson in issue: 05/2024
Like a sprinter lurching forwards to breast the tape, Johannes Klumpp announces that last spring he recorded the remaining symphonies...
Reviewed by David Threasher in issue: 05/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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