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VERDI Opera Arias

A different branch of the record industry might have called this recital by the septuagenarian baritone ‘Leo Nucci unplugged’. For...

Reviewed by Mike Ashman in issue: 04/2015

Roberta Invernizzi: Arias for Domenico Gizzi’

Glossa’s series investigating the careers of major Italian Baroque singers continues with an examination of the Neapolitan castrato Domenico Gizzi...

Reviewed by David Vickers in issue: 04/2015

Piotr Beczala: The French Collection

Piotr Beczała has built up such good will amid potentially troublesome Metropolitan Opera productions – from the Las Vegas Rigoletto...

Reviewed by David Patrick Stearns in issue: 04/2015

WAGNER Die Walküre

The first release on disc of this 1961 broadcast is a potent reminder of the strengths (and quirks) of Georg...

Reviewed by Mike Ashman in issue: 04/2015

WAGNER Der fliegende Holländer

In his first production as Zurich Intendant, Andreas Homoki has gone all out to concentrate on the psychological and socio-political...

Reviewed by Mike Ashman in issue: 04/2015

VERDI Un giorno di regno

After the success of his first opera, Oberto, Verdi was contracted to write three more for La Scala. Sad to...

Reviewed by Richard Lawrence in issue: 04/2015

VERDI Don Carlo

It seems a pity that the initiative and success at Turin’s Teatro Regio of the wide-ranging Gianandrea Noseda should be...

Reviewed by Mike Ashman in issue: 04/2015

STRAUSS Der Rosenkavalier

This constitutes the third release in a loose Straussian triptych from C Major, following DVD/Blu-rays of Capriccio and Arabella featuring...

Reviewed by Hugo Shirley in issue: 04/2015

RAMEAU Les Fêtes de Polymnie

Like Les fêtes de l’Hymen et de l’Amour (Glossa, 12/14), Les fêtes de Polymnie is an opera-ballet. But whereas the...

Reviewed by Richard Lawrence in issue: 04/2015

KRAUS Arias and Overtures

‘That man has a noble style, the like of which I have found in no one else,’ remarked Gluck of...

Reviewed by Richard Wigmore in issue: 04/2015

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