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Review of RAMEAU Pièces de Clavecin, Volume 2

RAMEAU Pièces de Clavecin, Volume 2

As with its predecessor (9/14), the second of four projected releases in this superbly engineered download-only Rameau cycle features a...

Reviewed by Jed Distler in issue: 4/2010

Review of PIATTI 12 Caprices for Solo Cello

PIATTI 12 Caprices for Solo Cello

Alfredo Piatti, born in Bergamo in 1822, settled in London in the 1840s. Here, in addition to his career as...

Reviewed by Duncan Druce in issue: 02/2015

Review of MOZART Piano Works: Neglected Treasures

MOZART Piano Works: Neglected Treasures

‘Neglected Treasures’ promises the CD cover. This is surely stretching a point with the two variation sets, on ‘Ah, vous...

Reviewed by Richard Wigmore in issue: 02/2015

Review of MOZART Keyboard Music Vols 5, 6 & 7

MOZART Keyboard Music Vols 5, 6 & 7

Mozart’s solo keyboard music inhabits a somewhat isolated corner. Great Mozartians from Clifford Curzon to Alfred Brendel to Clara Haskil...

Reviewed by David Patrick Stearns in issue: 02/2015

Review of CHOPIN Complete Etudes

CHOPIN Complete Etudes

A famous pianist (I shan’t say who) to whom I was speaking recently said I really should hear this young...

Reviewed by Jeremy Nicholas in issue: 02/2015

Review of CHOPIN Etudes SCHUMANN Symphonic Etudes

CHOPIN Etudes SCHUMANN Symphonic Etudes

Two new sets of Chopin Etudes from two Russians. They’re presented quite differently, Lev Vinocour gravely introduced as ‘a rare...

Reviewed by Harriet Smith in issue: 02/2015

Gramophone Classical Music Awards Winner
Review of WAGNER Parsifal

WAGNER Parsifal

‘Who is the grail?’ Parsifal’s apparently naive question receives an ingeniously literal answer at the climax of a Communion scene...

Reviewed by Peter Quantrill in issue: 02/2015

Review of VERDI Il Trovatore

VERDI Il Trovatore

Dmitri Tcherniakov has nothing to say about Il trovatore, and he says it badly. There is no doubt, after a...

Reviewed by Mike Ashman in issue: 02/2015

Review of VERACINI Adriano in Siria

VERACINI Adriano in Siria

Madcap Florentine violinist Francesco Maria Veracini (1690 1768) composed Adriano in Siria (1735) for London’s Opera of the Nobility. The...

Reviewed by David Vickers in issue: 02/2015

Review of STRAUSS Arabella

STRAUSS Arabella

When this 2014 Salzburg Easter Festival production of Strauss and Hofmannsthal’s final opera transferred to Dresden, Renée Fleming was replaced...

Reviewed by Hugo Shirley in issue: 02/2015


 

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