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Review of Jonas Kaufmann: You Mean the World to Me

Jonas Kaufmann: You Mean the World to Me

The distinctive repertoire was planned by Thomas Voigt – not a trawl through predictable encores but a look at the...

Reviewed by Mike Ashman in issue: 12/2014

Review of Maria Luigia Borsi: Italian Opera Arias

Maria Luigia Borsi: Italian Opera Arias

It is welcome to have on the Naxos budget label a collection of Italian soprano arias as attractive as this...

Reviewed by Edward Greenfield in issue: 12/2014

Review of WAGNER Lohengrin

WAGNER Lohengrin

No sooner has de Billy walked out of the Vienna State Opera in a dispute about cuts in Lohengrin than...

Reviewed by Mike Ashman in issue: 12/2014

Review of ROSSINI L'Italiana in Algeri

ROSSINI L'Italiana in Algeri

For its 2013 bicentenary production of L’italiana in Algeri, Pesaro’s Rossini Opera Festival assembled a cast and conductor whose realisation...

Reviewed by Richard Osborne in issue: 12/2014

Review of RAMEAU Les Fêtes de l'Hymen et de l'Amour

RAMEAU Les Fêtes de l'Hymen et de l'Amour

The Festivities of Hymen and Cupid started out as a ballet-héroïque in three entrées called The Gods of Egypt. With...

Reviewed by Richard Lawrence in issue: 12/2014

Review of PORPORA Arias

PORPORA Arias

Partnered ably by Academia Montis Regalis, Franco Fagioli sings with fulsome bravado and technical virtuosity in vibrant performances of 12...

Reviewed by David Vickers in issue: 12/2014

Review of MOZART Desperate Heroines: Opera Arias

MOZART Desperate Heroines: Opera Arias

‘Desperate heroines’ runs the rubric for what Sandrine Piau dubs ‘a Mozartian “cartography” of the feminine condition’. Desperation is hardly...

Reviewed by Richard Wigmore in issue: 12/2014

Review of MOZART Don Giovanni

MOZART Don Giovanni

Here, only five years after Francesca Zambello’s production (Opus Arte, 7/09), is a new version of Don Giovanni from Covent...

Reviewed by Richard Lawrence in issue: 12/2014

Review of MACMILLAN Clemency

MACMILLAN Clemency

Good ideas are everywhere in Clemency, though that doesn’t mean they’ve translated into a good listening experience in this live...

Reviewed by David Patrick Stearns in issue: 12/2014

Review of LULLY Atys

LULLY Atys

Based on a tale from Ovid, Quinault’s libretto for Atys (1676) was the first collaboration with Lully to eschew comic...

Reviewed by David Vickers in issue: 12/2014


 

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