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Review of Conversazioni II: Duelling Cantatas

Conversazioni II: Duelling Cantatas

Sounds Baroque follow their debut album (10/11) with another engaging snapshot of the Arcadian Academy’s Sunday afternoon ‘conversations’, magnets for...

Reviewed by Richard Wigmore in issue: 05/2014

Review of Arise, my muse

Arise, my muse

It says a lot about Iestyn Davies’s musical instincts that his second Wigmore Hall Live disc is less a solo...

Reviewed by Alexandra Coghlan in issue: 05/2014

Gramophone Classical Music Awards Winner
Review of TULVE Arboles Lloran Por Lluvia

TULVE Arboles Lloran Por Lluvia

Estonia continues to produce a wealth of composers out of all proportion to its size and population, and Helena Tulve...

Reviewed by Richard Whitehouse in issue: 05/2014

Review of TAVENER Ikon of Light

TAVENER Ikon of Light

Sometime back in the mid-1980s I was sent a review copy of the original LP recording on which all these...

Reviewed by Marc Rochester in issue: 05/2014

Review of TALLIS Lamentations of Jeremiah

TALLIS Lamentations of Jeremiah

The quiet contemplation of Compline – the final service of the monastic day – provides the framework for this latest...

Reviewed by Alexandra Coghlan in issue: 05/2014

Review of STEFFANI Lagrime Dolorose

STEFFANI Lagrime Dolorose

The musical reputation of Agostino Steffani (1654-1728) is spreading gradually beyond the awareness of a few scholarly cognoscenti but his...

Reviewed by David Vickers in issue: 05/2014

Review of SCHUBERT Winterreise

SCHUBERT Winterreise

For sheer vocal splendour, Jonas Kaufmann is unrivalled in Winterreise since Jon Vickers, whose controversial 1983 recording is revelatory or...

Reviewed by Richard Wigmore in issue: 05/2014

Gramophone Classical Music Awards Winner
Review of SCHUBERT Wanderers Nachtlied

SCHUBERT Wanderers Nachtlied

Schubert is once reported to have exclaimed to a friend, ‘Do you know any cheerful music? I don’t.’ His alleged...

Reviewed by Richard Wigmore in issue: 05/2014

Review of Music for a While: Improvisations on Henry Purcell

Music for a While: Improvisations on Henry Purcell

Having applied Baroque instruments to 20th-century Latin standards in ‘Los pájaros perdidos’ (Virgin, 5/12), for her latest experiment Christina Pluhar...

Reviewed by Lindsay Kemp in issue: 05/2014

Review of POULENC Stabat Mater

POULENC Stabat Mater

The comparative rarity here is the Sept Répons de Ténèbres that Poulenc wrote in 1961 to a commission from Leonard...

Reviewed by Geoffrey Norris in issue: 05/2014


 

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