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Review of RIMSKY KORSAKOV Christmas Eve (Weigle)

RIMSKY KORSAKOV Christmas Eve (Weigle)

It’s the night before Christmas, and while the villagers of Dikanka gossip and drink vodka, the Devil is up to...

Reviewed by Richard Bratby in issue: 01/2024

Review of DONIZETTI La Favorite (Frizza)

DONIZETTI La Favorite (Frizza)

Filmed at the 2022 Donizetti Festival in Bergamo, this new Favorite is at once imperfect and significant: imperfect because there...

Reviewed by Tim Ashley in issue: 01/2024

Review of DELIBES Lakmé (Pichon)

DELIBES Lakmé (Pichon)

Familiarity can breed contempt, but for the Opéra-Comique and Delibes’s Lakmé, it’s a case of ‘trust the experts’. A work...

Reviewed by Neil Fisher in issue: 01/2024

Review of Jakub Józef Orlinski: Beyond

Jakub Józef Orlinski: Beyond

Beyond – what exactly? Boundaries? Highlights? Expectations? Polish countertenor Jakub Józef Orliński's latest recording wants to test all these limits...

Reviewed by Alexandra Coghlan in issue: 01/2024

Review of WEELKES 'Gentleman Extraordinary'

WEELKES 'Gentleman Extraordinary'

Described as ‘Ireland’s premiere project choir’, Resurgam make their first commercial recording in collaboration with The English Cornett and Sackbut...

Reviewed by Edward Breen in issue: 01/2024

Review of SCHUBERT Lieder with Orchestra (Benjamin Appl)

SCHUBERT Lieder with Orchestra (Benjamin Appl)

‘Are orchestral versions of Schubert’s lieder really necessary?’ asks Benjamin Appl at the start of his booklet note. It’s a...

Reviewed by Hugo Shirley in issue: 01/2024

Review of SACCHINI L'abbandono delle ricchezze di S. Filippo Neri

SACCHINI L'abbandono delle ricchezze di S. Filippo Neri

Born in 1730, Antonio Sacchini was a full generation older than Mozart, but his sacred drama written for Lent in...

Reviewed by Peter Quantrill in issue: 01/2024

Review of POULENC Stabat Mater (Romano)

POULENC Stabat Mater (Romano)

Founded in 2005, Mathieu Romano’s 17-strong Ensemble Aedes are vocal shapeshifters, slipping seamlessly from opera chorus to chamber choir. French...

Reviewed by Alexandra Coghlan in issue: 01/2024

Review of PEPUSCH Chandos Anthems

PEPUSCH Chandos Anthems

Handel was not the only musical visitor at Cannons, the country estate of James Brydges (the Earl of Carnarvon, later...

Reviewed by David Vickers in issue: 01/2024

Review of MOZART 'Exsultate, Jubilate!'

MOZART 'Exsultate, Jubilate!'

‘Exsultate jubilate!’ was also the title of a recording by Carolyn Sampson in 2006. Her disc, an Editor’s Choice that...

Reviewed by David Threasher in issue: 01/2024


 

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