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Review of LUZZASCHI Il concerto segreto

LUZZASCHI Il concerto segreto

Luzzaschi’s Madrigali, printed in 1601, supposedly contains the music that the ‘three ladies’ of Ferrara sang privately for Duke Alfonso...

Reviewed by David Fallows in issue: 11/2023

Review of LARCHER The Living Mountain

LARCHER The Living Mountain

Thomas Larcher’s The Living Mountain is a realist, handheld-camera response to the Hollywood glitz of Strauss’s Alpine Symphony. The soprano...

Reviewed by Andrew Mellor in issue: 11/2023

Review of A HUGHES Dewi Sant

A HUGHES Dewi Sant

It is now 33 years since Arwel Hughes’s oratorio Dewi Sant (‘Saint David’) was issued on Chandos, with the BBC...

Reviewed by Jeremy Dibble in issue: 11/2023

Review of HENZE Das Floss der Medusa (Meister)

HENZE Das Floss der Medusa (Meister)

‘The form is strong. The imagery is eloquent. This is a lyrical, impassioned, masterly and very powerful composition: a humanist...

Reviewed by Christian Hoskins in issue: 11/2023

Review of HANDEL Israel in Egypt (Sorrell)

HANDEL Israel in Egypt (Sorrell)

Handel’s Israel in Egypt is presented here in an excellent performance, from a concert at Shaker Heights, a suburb of...

Reviewed by Richard Lawrence in issue: 11/2023

Review of GARŪTA Apple Tree

GARŪTA Apple Tree

Those who enjoy exploring the uncharted byways of choral music will definitely relish this new disc of a cappella works...

Reviewed by Malcolm Riley in issue: 11/2023

Review of DASER Missa Pater Noster & Other Works

DASER Missa Pater Noster & Other Works

It’s been quite the year for Ludwig Daser. Long eclipsed by his predecessor and successor as Kapellmeister at the Bavarian...

Reviewed by Fabrice Fitch in issue: 11/2023

Review of CHARPENTIER Messe de Minuit

CHARPENTIER Messe de Minuit

It’s not just that Marc-Antoine Charpentier (1643-1704) is so well known for his Messe de minuit or that Ensemble Correspondances...

Reviewed by Edward Breen in issue: 11/2023

Review of ARETINO Lamentationes Et Responsoria

ARETINO Lamentationes Et Responsoria

Paulo Aretino (Paolo Antonio del Bivi; 1508 84) is very definitely on trend for the current Renaissance polyphony scene. A...

Reviewed by Edward Breen in issue: 11/2023

Review of Joachim Carr: Numinosum

Joachim Carr: Numinosum

The latest Claves release from Joachim Carr is titled ‘Numinosum’, a word drawn from Jungian psychology to describe a sort...

Reviewed by Patrick Rucker in issue: 11/2023


 

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