Review - French School Pianists Play French Concertos
'Another invaluable set that puts pianophiles in APR’s debt once more'
Penderecki’s works for string quartet cover the whole of his creative life, the first acknowledged one dating from 1960 and...
Reviewed by Ivan Moody in issue: 09/2023
This is the second solo album from violinist Eva Saladin. Her first (Glossa) explored 17th-century violin sonatas from the so-called...
Reviewed by Mark Seow in issue: 09/2023
When is a violin sonata not a violin sonata? When it’s by Mozart, we’re told, the idea with him, metaphorically...
Reviewed by Rob Cowan in issue: 09/2023
A piece or performance of Janáček tends to impress us by means of unfiltered expression. To look for hidden depths...
Reviewed by Peter Quantrill in issue: 09/2023
All the playing here is on an international level: beautifully balanced, marvellously flexible in phrasing and tempo, with much well-judged...
Reviewed by David Fallows in issue: 09/2023
The Takács Quartet’s reputation precedes them. Gramophone Award-winners, resident at London’s Southbank Centre, the University of Colorado Boulder and now...
Reviewed by Amy Blier-Carruthers in issue: 09/2023
Clarinet quintets by Brahms and Reger make an obvious coupling that should have been taken up more widely but which...
Reviewed by Richard Whitehouse in issue: 09/2023
How string quartets engage with the musical challenges and opportunities of performing ‘old’ four-part music – whether Purcell’s Fantasias or...
Reviewed by Jonathan Freeman-Attwood in issue: 09/2023
I almost wish that Krzysztof Meisinger’s improvised Invocazione introducing Domeniconi’s popular Koyunbaba suite had opened his recital, so mysterious and...
Reviewed by William Yeoman in issue: 09/2023
This is a heartfelt tribute to the pianist’s late poet grandfather, whose fondness for the French belle époque repertoire is...
Reviewed by Jeremy Nicholas in issue: 09/2023
'Another invaluable set that puts pianophiles in APR’s debt once more'
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‘With Karajan controlling everything, would Large cave in and take what amounted to a secretarial...
Mark Pullinger leafs through an idiosyncratic selection from Erato’s Bizet back catalogue
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