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Review of MOČNIK Pasijon Po Janezu (St John Passion)

MOČNIK Pasijon Po Janezu (St John Passion)

Damijan Močnik’s music has not so far been familiar to me, but he is a very active figure in the...

Reviewed by Ivan Moody in issue: 05/2023

Review of HANDEL Solomon (Alarcón)

HANDEL Solomon (Alarcón)

Leonardo García Alarcón uses the recent HHA edition (2014) of Solomon, although departs surreptitiously from Handel’s orchestration several times. The...

Reviewed by David Vickers in issue: 05/2023

Review of GÓRECKI Beatus Vir. Concerto-Cantata. Canticum Graduum

GÓRECKI Beatus Vir. Concerto-Cantata. Canticum Graduum

Beatus vir is classic second-period Górecki, written three years after the notorious Symphony No 3, in 1979, and receiving its...

Reviewed by Ivan Moody in issue: 05/2023

Review of DASER Polyphonic Masses

DASER Polyphonic Masses

Poor Ludwig Daser (c1525-1589). If you’ve heard anything about him it was probably that he once retired as Kapellmeister to...

Reviewed by Edward Breen in issue: 05/2023

Gramophone Classical Music Awards Winner
Review of BERLIOZ Romeo & Juliette. La Mort de Cleopatre (Nelson)

BERLIOZ Romeo & Juliette. La Mort de Cleopatre (Nelson)

The descriptor symphonie dramatique for Berlioz’s Roméo et Juliette is a bit of a misnomer; it’s neither a symphony nor...

Reviewed by Mark Pullinger in issue: 05/2023

Review of Barnaby Smith: Bach

Barnaby Smith: Bach

No falsettist worth his salt can resist these two sublime cantatas, saturated with echt-Lutheran life-weariness and death-longing. Barnaby Smith, best...

Reviewed by Richard Wigmore in issue: 05/2023

Review of JS BACH Trinitatis: Cantatas

JS BACH Trinitatis: Cantatas

These three cantatas have long been in the canon as celebrated examples of Bach in the first flush of Leipzig...

Reviewed by Jonathan Freeman-Attwood in issue: 05/2023

Review of Sarah Beth Briggs: Variations

Sarah Beth Briggs: Variations

Richard Goode once witnessed a pianist auditioning for Rudolf Serkin with Mozart’s Duport Variations. After it was over, Serkin said:...

Reviewed by Jed Distler in issue: 05/2023

Review of Jean Rondeau: Gradus ad Parnassum

Jean Rondeau: Gradus ad Parnassum

Debussy, one suspects, would not have touched a harpsichord with a bargepole. Yet here is ‘Doctor Gradus ad Parnassum’, his...

Reviewed by Lindsay Kemp in issue: 05/2023

Review of Matthew Barley: Electric

Matthew Barley: Electric

Profiling cellist Matthew Barley a few years ago (6/19), Charlotte Gardner aptly called his multi-genre output a ‘fizzing cornucopia’. His...

Reviewed by Liam Cagney in issue: 05/2023


 

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