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Review of PUCCINI Turandot (Pappano)

PUCCINI Turandot (Pappano)

When Antonio Pappano’s recording of Tristan und Isolde was released in 2005, it was touted in many pages, including these...

Reviewed by Mark Pullinger in issue: 03/2023

Review of Le Dolce Sirene

Le Dolce Sirene

The Kansas City-based Bach Aria Soloists make their recording debut on Reference Recordings with a lovely album of Monteverdi, Bach,...

Reviewed by Laurence Vittes in issue: 03/2023

Review of Giulio Regondi: A 200th Birthday Bouquet

Giulio Regondi: A 200th Birthday Bouquet

For what was billed as his final studio recording last year, David Starobin continued his survey of neglected composers with...

Reviewed by Donald Rosenberg in issue: 03/2023

Review of RACHMANINOV; SHOSTAKOVICH Cello Sonatas (Carmine Miranda)

RACHMANINOV; SHOSTAKOVICH Cello Sonatas (Carmine Miranda)

While there are many fine recordings of Shostakovich’s and Rachmaninov’s cello sonatas, not many have them coupled together, even in...

Reviewed by Guy Rickards in issue: 03/2023

Review of PRICE; WIGGINS 'The Composers'

PRICE; WIGGINS 'The Composers'

Many of Florence Price’s piano works have been recorded, not least by Kirsten Johnson (Guild, duplicating items here) and Samantha...

Reviewed by Guy Rickards in issue: 03/2023

Review of States of Play: Solos & Duos

States of Play: Solos & Duos

‘States of Play’ unites ‘longtime creative friends and mutual admirers’ Robert Carl and John McDonald, both stalwarts of the New...

Reviewed by Laurence Vittes in issue: 03/2023

Review of BARTÓK; BRAHMS; JANÁČEK Violin Sonatas (Patricia Kopatchinskaja)

BARTÓK; BRAHMS; JANÁČEK Violin Sonatas (Patricia Kopatchinskaja)

Patricia Kopatchinskaja had some trepidation when approaching Janáček’s Violin Sonata. ‘I was afraid I’d explode, that’s how concentrated and wounded...

Reviewed by Andrew Farach-Colton in issue: 02/2023

Review of KALABIS; KRÁSA; MARTINŮ Harpsichord Concertos (Mahan Esfahani)

KALABIS; KRÁSA; MARTINŮ Harpsichord Concertos (Mahan Esfahani)

I may be genetically conditioned to adore this repertoire, but this new album from Mahan Esfahani is an unalloyed joy...

Reviewed by Guy Rickards in issue: 02/2023

Review of Plácido Domingo & Jennifer Rowley: The Versailles Gala

Plácido Domingo & Jennifer Rowley: The Versailles Gala

>It is well over a decade now since Plácido Domingo controversially transitioned from tenor to baritone roles, a repertory he...

Reviewed by Tim Ashley in issue: 02/2023

Review of WAGNER Der Ring des Nibelungen (Runnicles)

WAGNER Der Ring des Nibelungen (Runnicles)

‘Close your eyes’ is the most tired and depressing piece of opera-going advice, but blind listening to the Deutsche Oper’s...

Reviewed by Peter Quantrill in issue: 02/2023


 

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