Review - French School Pianists Play French Concertos
'Another invaluable set that puts pianophiles in APR’s debt once more'
Zoroastre, premiered at the Paris Opéra on December 5, 1749, was the fifth opera – and the first tragedy –...
Reviewed by Richard Lawrence in issue: 01/2023
Idalma (Rome, 1680) has parallels with Don Juan: the womaniser Lindoro keeps a list of his conquests, has deserted Irene...
Reviewed by David Vickers in issue: 01/2023
Nothing hits you with greater force in Opéra de Rouen Normandie’s performance of La clemenza di Tito than the Overture....
Reviewed by Neil Fisher in issue: 01/2023
Martinů’s short one-act operas make for a bright and entertaining double bill, and they receive bright and entertaining performances on...
Reviewed by Richard Bratby in issue: 01/2023
This is the second recording of Anthony Davis’s X: The Life and Times of Malcolm X. The first appeared in...
Reviewed by Andrew Farach-Colton in issue: 01/2023
Who, or what, are Les Abencérages, you might well ask. There’s a clue in the subtitle, which is ‘The Standard...
Reviewed by Richard Lawrence in issue: 01/2023
It is not a new idea to build a Monteverdi Vespers (Venetian) that is not the Monteverdi Vespers (Mantuan), but...
Reviewed by Lindsay Kemp in issue: 01/2023
This intriguing recital brings us music from a period that is very well documented on record but much of what...
Reviewed by Fabrice Fitch in issue: 01/2023
‘Pray, good people, be civil, I am the Protestant whore’: so said Nell Gwyn, displaying the wit for which she...
Reviewed by Richard Lawrence in issue: 01/2023
This meticulously curated programme from Ruby Hughes could be called ‘The Quiet Album’. It intersperses Bach sarabandes for solo keyboard...
Reviewed by David Patrick Stearns in issue: 01/2023
'Another invaluable set that puts pianophiles in APR’s debt once more'
New releases celebrate iconic recordings, fresh discoveries and musical adventures across the...
WiiM Ultra/VibeLink Amp: an ultra-compact take on the ‘just add speakers’ system, this affordable...
‘With Karajan controlling everything, would Large cave in and take what amounted to a secretarial...
‘Yudina really was a “symbol of nonconformism” among Soviet musicians, dressed like a nun and in the...
Mark Pullinger leafs through an idiosyncratic selection from Erato’s Bizet back catalogue
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