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Review of ROMITELLI An Index of Metals

ROMITELLI An Index of Metals

Fausto Romitelli died of cancer at the young age of 41 after inventing a brilliantly distinctive post-spectralist style. Romitelli’s music...

Reviewed by Liam Cagney in issue: 12/2022

Review of RAMEAU Le retour d’Astrée. Les Sybarites (de Camboulas)

RAMEAU Le retour d’Astrée. Les Sybarites (de Camboulas)

Inviting and informative notes by Benoît Dratwicki and Sylvie Bouissou set a lovely scene: it’s 1745, and King Louis XV...

Reviewed by Mark Seow in issue: 12/2022

Review of MONTEVERDI Orfeo (Savall)

MONTEVERDI Orfeo (Savall)

If there’s nothing really wrong with this Orfeo, directed by Pauline Bayle and conducted by Jordi Savall at Paris’s Opéra-Comique...

Reviewed by Alexandra Coghlan in issue: 12/2022

Review of LECLAIR Scylla et Glaucus (Plewniak)

LECLAIR Scylla et Glaucus (Plewniak)

Like Rameau, Leclair had a well-established reputation in other spheres before he ventured into opera. Known as ‘the French Corelli’,...

Reviewed by Richard Lawrence in issue: 12/2022

Review of HANDEL Giulio Cesare in Egitto (Bolton)

HANDEL Giulio Cesare in Egitto (Bolton)

There’s an unexpected opening to this Giulio Cesare, recorded in 2021 at the Theater an der Wien: a brief recitative...

Reviewed by Lindsay Kemp in issue: 12/2022

Review of BLECH Alpenkönig und Menschenfeind (Ward)

BLECH Alpenkönig und Menschenfeind (Ward)

Record collectors have never entirely forgotten Leo Blech (1871-1958), the Aachen-born, Berlin-based conductor of a generation whose careers were derailed...

Reviewed by David Gutman in issue: 12/2022

Review of Marina Rebeka: Voyage

Marina Rebeka: Voyage

Duparc’s invitation to travel is an apt starting point for an enterprising programme with multiple explorations. The programme encompasses French...

Reviewed by David Patrick Stearns in issue: 12/2022

Review of Under der Linden

Under der Linden

One of the difficulties facing anybody who wishes to perform the German Minnesang repertory is that almost all the surviving...

Reviewed by David Fallows in issue: 12/2022

Review of The Sword & the Lily: 15th-Century Polyphony for Judgement Day

The Sword & the Lily: 15th-Century Polyphony for Judgement Day

I am enormously fond of a good programme concept and this debut album from early music ensemble Fount & Origin...

Reviewed by Edward Breen in issue: 12/2022

Review of Castrapolis: Neapolitan Cantatas and Arias (Nicolò Balducci)

Castrapolis: Neapolitan Cantatas and Arias (Nicolò Balducci)

‘Castrapolis’ was the name coined by novelist Dominique Fernandez for 18th-century Naples – a city that was home to a...

Reviewed by Alexandra Coghlan in issue: 12/2022


 

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