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Review of MoonStrike

MoonStrike

To say that the works on this recording are out of this world would only be partly accurate, and it’s...

Reviewed by Donald Rosenberg in issue: 11/2022

Review of DANIELPOUR Twelve Études For Piano (Stefano Greco)

DANIELPOUR Twelve Études For Piano (Stefano Greco)

Richard Danielpour’s Twelve Études may not expand virtuoso boundaries to the extent that Chopin, Liszt, Godowsky and Ligeti did in...

Reviewed by Jed Distler in issue: 11/2022

Review of MONTEVERDI Orfeo; Il ritorno d’Ulisse in patria; L’incoronazione di Poppea  (Gardiner)

MONTEVERDI Orfeo; Il ritorno d’Ulisse in patria; L’incoronazione di Poppea (Gardiner)

In 2017 the trilogy of Monteverdi’s operas was toured on both sides of the Atlantic by John Eliot Gardiner and...

Reviewed by David Vickers in issue: AW22

Review of Insieme - Opera Duets (Jonas Kaufmann, Ludovic Tézier)

Insieme - Opera Duets (Jonas Kaufmann, Ludovic Tézier)

There have been some great tenor-baritone double acts down the decades. How many people, for instance, were introduced to the...

Reviewed by Mark Pullinger in issue: AW22

Review of TIPPETT The Midsummer Marriage (Gardner)

TIPPETT The Midsummer Marriage (Gardner)

It is quite something to begin your principal conductorship of a major London orchestra with a work that is (a)...

Reviewed by Mike Ashman in issue: AW22

Gramophone Classical Music Awards Winner
Review of LORTZING Zum Gross-Admiral

LORTZING Zum Gross-Admiral

A rollicking tale of the sea, told by one of 19th-century Germany’s most beloved masters of comic opera. That’s what...

Reviewed by Richard Bratby in issue: AW22

Review of LOCKE Psyche (Daucé)

LOCKE Psyche (Daucé)

Commissioned by the actor-manager Thomas Betterton, Psyche opened at the Dorset Garden Theatre in London on February 27, 1675, in...

Reviewed by Richard Lawrence in issue: AW22

Review of JANÁCEK Jenůfa (Nánási)

JANÁCEK Jenůfa (Nánási)

As readers of these pages will recall, there has recently been quite a steady trickle of new Jenůfas including Damiano...

Reviewed by Mike Ashman in issue: AW22

Review of The Mysterious Motet Book, 1539

The Mysterious Motet Book, 1539

Points to Patrick Allies and his vocal ensemble Siglo de Oro for one of the most enticing album titles of...

Reviewed by Alexandra Coghlan in issue: AW22

Review of Du Bellay: Heureux qui, comme Ulysse

Du Bellay: Heureux qui, comme Ulysse

Settings of Joachim Du Bellay’s poetry, interspersed with recitations by the ‘slam’ poet Kwal and accompanied by instrumental improvisations, make...

Reviewed by Edward Breen in issue: AW22


 

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