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Review of MOZART Violin Concertos, Vol 2 (Francesca Dego)

MOZART Violin Concertos, Vol 2 (Francesca Dego)

The traditional view is that Mozart’s Third Violin Concerto, K216, represents a huge leap forward in inventiveness after the more...

Reviewed by Richard Wigmore in issue: 10/2022

Review of MOZART Piano Concertos Nos 24 & 17 (Éric Le Sage)

MOZART Piano Concertos Nos 24 & 17 (Éric Le Sage)

For his first recording of Mozart concertos, Éric Le Sage, in the company of the Gävle Symphony Orchestra and oboist/conductor...

Reviewed by Harriet Smith in issue: 10/2022

Gramophone Classical Music Awards Winner
Review of GUERRA-PEIXE Symphonic Suites No. 1 and 2. Roda de Amigos

GUERRA-PEIXE Symphonic Suites No. 1 and 2. Roda de Amigos

César Guerra-Peixe (1914-93) was, as well as a prolific composer, a great promoter of Brazilian folk music, and carried out...

Reviewed by Ivan Moody in issue: 10/2022

Review of CORIGLIANO 'To Music'

CORIGLIANO 'To Music'

John Corigliano is not, as he would admit, a natural symphonist. With so many great symphonies already penned by others,...

Reviewed by Guy Rickards in issue: 10/2022

Review of BEETHOVEN Symphony No 2 DEAN Testament (Jurowski)

BEETHOVEN Symphony No 2 DEAN Testament (Jurowski)

In Vladimir Jurowski’s hands, the first movement of Beethoven’s Symphony No 2 is a study in contrasts. He paces the...

Reviewed by Andrew Farach-Colton in issue: 10/2022

Review of JS BACH Harpsichord Concertos (Corti; Suzuki)

JS BACH Harpsichord Concertos (Corti; Suzuki)

Having completed distinctive and imaginative recordings of Bach’s seven solo harpsichord concertos and Triple Concerto (7/20, 4/21), Francesco Corti moves...

Reviewed by Lindsay Kemp in issue: 10/2022

Review of ARNELL Orchestral Works

ARNELL Orchestral Works

A pupil of Ireland at the RCM (1935-39), Richard Arnell was shaped musically by those inter-war influences of post-Romanticism and...

Reviewed by Jeremy Dibble in issue: 10/2022

Review of Jonathan Tetelman: Arias

Jonathan Tetelman: Arias

Here’s the most exciting tenor discovery to come my way since the appearance of Jonas Kaufmann on the big international...

Reviewed by Mark Pullinger in issue: 10/2022

Review of Steven Schick: A Hard Rain

Steven Schick: A Hard Rain

Music for percussion is more abundant than one might assume. Beyond the confines of the symphony orchestra lies a vast...

Reviewed by Donald Rosenberg in issue: 09/2022

Review of PRICE 'Scenes in Tin Can Alley' Piano Music (Josh Tatsuo Cullen)

PRICE 'Scenes in Tin Can Alley' Piano Music (Josh Tatsuo Cullen)

Little can be added to Andrew Farach-Colton’s detailed article in the November 2021 issue about the the life and art...

Reviewed by Jed Distler in issue: 09/2022


 

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