Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
In the midst of premiering new works by Mark Hagerty, Bright Sheng and Jennifer Barker and getting ready to make...
Reviewed by Laurence Vittes in issue: 11/2018
Born in Hong Kong and now living in the United States, Stephen Yip is a composer whose chamber works abound...
Reviewed by Jed Distler in issue: 11/2018
The Californian Arthur Gottschalk (b1952) – no relation, I think, to Louis Moreau Gottschalk – studied with Ross Lee Finney...
Reviewed by Guy Rickards in issue: 11/2018
It was the early 1980s when I dropped in at Lou Harrison’s place on the California coast. I had met...
Reviewed by Laurence Vittes in issue: 11/2018
Never mind that five of the nine works on this recording of solo instrumental music have lower-case titles. There is...
Reviewed by Donald Rosenberg in issue: 11/2018
Given the title, it is surprising, to say the least, that not a single item on this disc was actually...
Reviewed by Michelle Assay in issue: 11/2018
Two distinct personae emerge from Mahan Esfahani’s engaging foray into the English virginal tradition (with some possibly Welsh composers, too)....
Reviewed by Philip Kennicott in issue: 11/2018
Igor Levit likes to deal with big subjects, whether it’s late Beethoven or supreme Bach. Now he addresses something bigger...
Reviewed by Harriet Smith in issue: 11/2018
Taking roughly a reverse chronology, Katya Apekisheva intersperses three pairs of Scriabin Impromptus with the six of Fauré and four...
Reviewed by Michelle Assay in issue: 11/2018
Brahms’s Op 118 Piano Pieces (DiscAuvers, 2017) revealed Anna Fedorova to be a sensitive and conscientious interpreter, although a tad...
Reviewed by Jed Distler in issue: 11/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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