Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Don Giovanni has become such a focus for directorial intervention of late that playing the work straight and in period...
Reviewed by Tim Ashley in issue: 10/2024
Andrea Bernasconi was maestro di coro at Venice’s Ospedale della Pietà (1744 53) until he was recruited by Elector Maximilian...
Reviewed by David Vickers in issue: 10/2024
The gender-switch in this common title is significant. The homey passing-on tradition, suggested by the many ‘Songs My Mother Taught...
Reviewed by David Patrick Stearns in issue: 10/2024
It didn’t take long for the madrigal to become a vehicle for all manner of experimentation – reworkings of texts...
Reviewed by Fabrice Fitch in issue: 10/2024
Investigations on record of Bach’s immediate central-German precursors have often relied on content from composers actually related to him, especially...
Reviewed by Lindsay Kemp in issue: 10/2024
Barbara Strozzi accompanied herself on the lute at various Venetian academies, so there is something to be said for present-day...
Reviewed by David Vickers in issue: 10/2024
Ester, liberatrice del popolo Ebreo was probably written in the early 1670s for one of Rome’s confraternities that sponsored Lenten...
Reviewed by David Vickers in issue: 10/2024
These artists have already served notice of their commitment to this exquisitely wrought repertoire with an uncommonly beautiful recording (10/23)...
Reviewed by Andrew Achenbach in issue: 10/2024
A child of the 18th century, Schubert’s first interpreter, the baritone Johann Michael Vogl, would routinely subject melodic lines to...
Reviewed by Richard Wigmore in issue: 10/2024
It’s the best kind of logic – follow Rodgers and Hammerstein’s first Broadway show Oklahoma! with their second. This again...
Reviewed by Edward Seckerson in issue: 10/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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