Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The Boston Early Music Festival Chamber Ensemble presents the St Matthew Passion by Johann Sebastiani (1622 83), who was Kantor...
Reviewed by David Vickers in issue: 08/2018
Schumann lightly reorchestrated one of Bach’s most affective cantatas in 1849 for a Dresden choral society of his own foundation....
Reviewed by Peter Quantrill in issue: 08/2018
Every new repertoire frontier in Carolyn Sampson’s growing body of solo recordings – that so regularly turn up in the...
Reviewed by David Patrick Stearns in issue: 08/2018
Completed in 1911, Évocations was the work that put Albert Roussel on the musical map at its premiere a year...
Reviewed by Tim Ashley in issue: 08/2018
Pergolesi’s name was unusually popular in the misattribution stakes within only a few years of his death from tuberculosis at...
Reviewed by David Vickers in issue: 08/2018
This is the second volume in Somm’s three-disc survey encompassing all 12 sets of Hubert Parry’s English Lyrics and I’m...
Reviewed by Andrew Achenbach in issue: 08/2018
This is the last instalment of Le Nuove Musiche’s complete Monteverdi madrigal cycle, of which Books 5 and 6 mark...
Reviewed by Fabrice Fitch in issue: 08/2018
Soprano Mariana Flores’s last collaboration with Leonardo Garcia Alarcón and the musicians of Cappella Mediterranea, ‘Cavalli: Heroines of the Venetian...
Reviewed by Alexandra Coghlan in issue: 08/2018
Hitting two anniversary targets with one release, Tenebrae celebrate both the 100th anniversary of Polish independence and the 50th birthday...
Reviewed by Alexandra Coghlan in issue: 08/2018
James Brydges, Earl of Carnarvon – later the Duke of Chandos – lived in some style at Cannons, his Palladian...
Reviewed by Richard Lawrence in issue: 08/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.