Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
It is common knowledge that the Sollazzo Ensemble that was awarded the contract for recording the entire Leuven Chansonnier on...
Reviewed by David Fallows in issue: 09/2024
The start of this recital promises something bracingly ahistorical: the aeolian wind and unpitched instrumental sounds might have come straight...
Reviewed by Fabrice Fitch in issue: 09/2024
Lodovico Grossi da Viadana’s groundbreaking Cento Concerti ecclesiastici (Venice, 1602) was the first publication of sacred music to include mandatory...
Reviewed by David Vickers in issue: 09/2024
Imagine setting the words to Paul McCartney’s ‘Yesterday’ while ignoring the song’s well-known flowing melody, plangent harmonies and nostalgic expression....
Reviewed by Pwyll ap Siôn in issue: 09/2024
Here’s a marvellously stylish showcase for some eclectic and characteristically communicative repertoire by the seemingly indefatigable Michael Berkeley (76 years...
Reviewed by Andrew Achenbach in issue: 09/2024
Recorded in the Salle Colonne, Paris, in 2021, Aurélien Pontier’s album is ‘an act of homage to the Vienna of...
Reviewed by Jeremy Nicholas in issue: 09/2024
Olga Samaroff and Frank La Forge – two names which I suspect will be unfamiliar to many readers. Almost exact...
Reviewed by Jeremy Nicholas in issue: 09/2024
Pianist Mishka Rushdie Momen covers much of the same ground in this album of keyboard works by the English virginalists...
Reviewed by Philip Kennicott in issue: 09/2024
A disc arrives for review, you see the name of the artist(s), you survey the repertoire and already your critical...
Reviewed by Jeremy Nicholas in issue: 09/2024
Kenneth Hamilton’s writings about Romantic performance practice are always erudite, insightful, vividly expressed and delightfully witty, and this holds true...
Reviewed by Jed Distler in issue: 09/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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