Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Edward Gardner directs the National Youth Orchestra of Great Britain in a traversal of Holst’s The Planets that genuinely excites...
Reviewed by Andrew Achenbach in issue: 03/2017
The American pianist Andrew von Oeyen has been around for some time (b1979, orchestral debut aged 10). He has, I...
Reviewed by Jeremy Nicholas in issue: 03/2017
Add Celso Garrido-Lecca (b1926) to the long list of Latin American composers whose music deserves our attention. I’d heard his...
Reviewed by Andrew Farach-Colton in issue: 03/2017
Add Celso Garrido-Lecca (b1926) to the long list of Latin American composers whose music deserves our attention. I’d heard his...
Reviewed by Andrew Farach-Colton in issue: 03/2017
It will come as little surprise that Beethoven’s Eroica, the symphony he originally dedicated to Napoleon, looms large in Carl...
Reviewed by Adrian Edwards in issue: 03/2017
This is such an attractive programme that it’s hard to credit that three of the works here are receiving their...
Reviewed by Richard Bratby in issue: 03/2017
Despite Detlev Glanert’s self-professed feeling for the melancholia and severity of north German music (he was born in Hamburg), his...
Reviewed by Andrew Mellor in issue: 03/2017
A disc of two halves, for sure: a somewhat sober Jeremiah and a scintillating Age of Anxiety. Perhaps there is...
Reviewed by Edward Seckerson in issue: 03/2017
The Ninth at New Year is a Leipzig tradition instituted in 1918 by its music director, Artur Nikisch. The event...
Reviewed by Peter Quantrill in issue: 03/2017
Khatia Buniatishvili, with her trademark slash of red lipstick and tumbling, thick black hair, is among the most charismatic of...
Reviewed by Jeremy Nicholas in issue: 03/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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