Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Each piece on this second volume in Ensemble MidtVest’s survey of chamber music by Niels Gade is troubled by issues...
Reviewed by Andrew Mellor in issue: 01/2017
We encounter the name of Johann Joseph Fux (1660-1741) in scholarly books more often than we hear his music. A...
Reviewed by David Vickers in issue: 01/2017
My usual impression of Brahms’s Op 67 Quartet, that it opens mid-flow, is heightened by the Kuss Quartet and their...
Reviewed by Peter Quantrill in issue: 01/2017
If you’re sitting still at the end of Brahms’s First Piano Quartet, with its madcap, almost parodistic Hungarian gypsy finale,...
Reviewed by Harriet Smith in issue: 01/2017
There are some combinations on ‘American Moments’ that feel more like conflicts than contrasts. Initial appearances suggest it is a...
Reviewed by Caroline Gill in issue: 01/2017
‘A great player at a small expense…Mr Babel…at once gratifies idleness and vanity’ is what the music historian Charles Burney...
Reviewed by Charlotte Gardner in issue: 01/2017
This is the first disc in what promises to be a recording of all six of Haydn’s ‘Paris’ Symphonies, coupled...
Reviewed by David Threasher in issue: 01/2017
'La Reine Harpe’ runs the disc’s title, the queen in question being Marie Antoinette, who did for the for harp...
Reviewed by Richard Wigmore in issue: 01/2017
It’s all about timing. Eighteen months after the Berliner Philharmoniker elected the second Russian-born Chief Conductor in its 135-year history,...
Reviewed by Peter Quantrill in issue: 01/2017
The last years of Stalin’s rule were touch-and-go for all Soviet creative artists, fearful as they were of a re-run...
Reviewed by David Fanning in issue: 01/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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