Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This, Nelson Freire’s first disc devoted to Bach, is predictably personal. It speaks of long acquaintance with the works on...
Reviewed by Harriet Smith in issue: 04/2016
The spirit of the Schubertiade is easily felt in performances of his Octet: such a convivial, good-humoured work. It was...
Reviewed by Mark Pullinger in issue: 04/2016
The Scelsi conundrum is fully on display in this brightly recorded compilation of compositions involving the flute. The good news...
Reviewed by Arnold Whittall in issue: 04/2016
Walter Rabl is barely a footnote entry to late-Romantic music, largely because after a promising start as a composer –...
Reviewed by Charlotte Gardner in issue: 04/2016
Is it just me, or are piano trios getting younger? The Hamlet Trio, whose Mendelssohn I reviewed a few months...
Reviewed by Harriet Smith in issue: 04/2016
The quiet E minor chords that give Sibelius’s Voces intimae its nickname occur a minute and a half into the...
Reviewed by Richard Bratby in issue: 04/2016
Taneyev and Glazunov were the two opposite extremes of their generation in Russia. Taneyev was the stern artistic conscience of...
Reviewed by Richard Bratby in issue: 04/2016
I listened to these two sets of instrumental and solo piano works by the Swiss composer Jürg Frey in instalments...
Reviewed by Philip Clark in issue: 04/2016
The story of Mario Castelnuovo-Tedesco is tragically familiar. Hailed as a bright young modernist in the 1920s, only to be...
Reviewed by Richard Bratby in issue: 04/2016
It’s a nice parallel that all the lesser-known sonatas on this disc, entitled ‘Twilight’, were written when their respective composers...
Reviewed by Charlotte Gardner in issue: 04/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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