Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This beautifully programmed disc is in many ways let down by the work that to all intents and purposes forms...
Reviewed by Tim Ashley in issue: 02/2016
Prokofiev died on the same night as Joseph Stalin: there were no flowers left for the funeral and press coverage...
Reviewed by David Gutman in issue: 02/2016
‘I still don’t understand how there can be no word for “please” and no phrase for “nice to meet you”,’...
Reviewed by Andrew Mellor in issue: 02/2016
No one takes on the Nielsen Violin Concerto lightly. Its technical demands are not a whit less than those of...
Reviewed by David Fanning in issue: 02/2016
‘One is right always to be more than a little cautious about pleading in favour of the admission of a...
Reviewed by Charlotte Gardner in issue: 02/2016
Jennifer Pike works hard, perhaps against the grain, to counter the impression of prettiness that Mendelssohn’s music still leaves in...
Reviewed by Peter Quantrill in issue: 02/2016
The two early Ives symphonies recorded by the same team (5/15) are relatively plain sailing compared with some of these...
Reviewed by Peter Dickinson in issue: 02/2016
The music of Toshio Hosokawa (b1955) is often said to synthesise Eastern philosophy (Zen Buddhism) with Western aesthetics (Expressionism). But...
Reviewed by Arnold Whittall in issue: 02/2016
Beast Sampler was well received at last year’s Proms and you can hear in its glacial coolness and spatial breadth...
Reviewed by Andrew Mellor in issue: 02/2016
Over 30 years may separate Górecki’s Third and Fourth Symphonies but it would be misleading to attribute such a long...
Reviewed by Pwyll ap Siôn in issue: 02/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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