Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Jura Margulis is a name that has not crossed my radar before. Clearly it should have done – and not...
Reviewed by Jeremy Nicholas in issue: 01/2016
It is easy to think of Antonio Soler as the Scarlatti pupil who perpetuated his master’s sonata style with the...
Reviewed by Lindsay Kemp in issue: 01/2016
At no point do the repertoires of these two discs overlap, but, as if tiptoeing around one another, both of...
Reviewed by Geoffrey Norris in issue: 01/2016
Hard on the heels of Igor Levit’s blistering new account of Rzewski’s variations comes a new recording by its dedicatee...
Reviewed by David Fanning in issue: 01/2016
Hoist with my own petard, I think. Reviewing Igor Levit’s Bach/Beethoven/Rzewski Variations (11/15), I rashly concluded that I would be...
Reviewed by David Fanning in issue: 01/2016
Kristian Bezuidenhout may not have chosen to shock but could well do so in the first movement of the ‘little...
Reviewed by Nalen Anthoni in issue: 01/2016
As Howard Shelley reaches the fourth instalment of his solo Mendelssohn journey, familiar and unfamiliar once again rub shoulders. He...
Reviewed by Harriet Smith in issue: 01/2016
At least until Liszt’s bicentenary, complete recordings of his Harmonies poétiques et religieuses were something of a rarity. Even stalwart...
Reviewed by Patrick Rucker in issue: 01/2016
Scherbakov began the unprecedented task of recording Godowsky’s complete works nearly two decades ago. The end is in sight –...
Reviewed by Jeremy Nicholas in issue: 01/2016
The piano works of Robert Nathaniel Dett (1882-1943) span his entire creative life, from early ragtime influences to the complexity...
Reviewed by Jed Distler in issue: 01/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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