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JS BACH Organ Works Vol 5 (Masaaki Suzuki)

As with Vol 4 of Masaaki Suzuki’s Bach series (A/23), this new disc was recorded in Grauhof’s Stiftskirche St Georg,...

Reviewed by Malcolm Riley in issue: 04/2024

Anastasia Kobekina: Venice

Silvestrov, Dowland, Shaw, Rota, Brian Eno … none of these names immediately suggest Venice, but the fact that they appear...

Reviewed by Charlotte Gardner in issue: 04/2024

A Room of Her Own

‘A Room of Her Own’ continues the Neave Trio’s exploration of works by female composers begun four years ago with...

Reviewed by Tim Ashley in issue: 04/2024

The Golden Hour: Francoeur, Rebel, Leclair

The hour referenced in the title is the period in the early decades of the 18th century when Italian influence...

Reviewed by Lindsay Kemp in issue: 04/2024

SCHUMANN Works with Wind Instruments

Whatever you think of Schumann’s orchestrational abilities, he had a marvellous sense of instrumental character. How perfectly suited the three...

Reviewed by Andrew Farach-Colton in issue: 04/2024

SCHUBERT Octet (Berlin Philharmonic Orchestra Soloists)

While clarinettists and violinists – horn players, too – may disagree, Schubert’s hedonistic Octet has always seemed to me virtually...

Reviewed by Richard Wigmore in issue: 04/2024

SCHENCK L’Echo du Danube

For someone who had never even heard of Johann Schenck, two discs totalling almost two hours of his music is...

Reviewed by Mark Seow in issue: 04/2024

PEJAČEVIĆ Chamber Music

Dora Pejačević (1885-1923) died at the age of 38 from complications following childbirth, yet the Croatian composer left behind a...

Reviewed by Andrew Farach-Colton in issue: 04/2024

MENDELSSOHN Lieder ohne Worte (Michael Barenboim)

Hackles might rise at the idea of tampering with Mendelssohn’s Songs without Words, those piano gems from that fecund period...

Reviewed by Adrian Edwards in issue: 04/2024

KORNGOLD String Sextet TCHAIKOVSKY Souvenir de Florence

Funny, the unconscious prejudices one acquires. Not that I’ve ever thought of the Nash Ensemble as anything other than excellent;...

Reviewed by Richard Bratby in issue: 04/2024

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