Review - French School Pianists Play French Concertos
'Another invaluable set that puts pianophiles in APR’s debt once more'
This production of Monteverdi’s last operatic masterpiece was filmed on the stage of the Opéra Royal at Versailles in January...
Reviewed by Lindsay Kemp in issue: 02/2024
Menotti’s Amahl and the Night Visitors belongs to that curious class of works that are widely supposed to be ubiquitous...
Reviewed by Richard Bratby in issue: 02/2024
Leclair’s only commission from the Paris Opéra was a box-office flop, never revived on the public stage until modern times....
Reviewed by David Vickers in issue: 02/2024
If you have already heard of Giuseppe Gazzaniga it is probably because his ‘Don Giovanni’ middle act in Il capriccio...
Reviewed by David Vickers in issue: 02/2024
When Fausto was first performed at the Théâtre-Italien in Paris in March 1831, there was much comment in the press,...
Reviewed by Tim Ashley in issue: 02/2024
Britten’s War Requiem touched a trapped nerve in the collective psyche of post-war Britain, commemorating the war dead with both...
Reviewed by Peter Quantrill in issue: 02/2024
This programme explores pre-war Ravel, Koechlin and Britten that happens to sit in the sweetest spots of Piau’s comfort zone,...
Reviewed by David Patrick Stearns in issue: 02/2024
‘Morning Star’ follows where 2019’s ‘Christmas’ (12/19) led – a festive release of a distinctly grown-up sort, this time taking...
Reviewed by Alexandra Coghlan in issue: 02/2024
Joyce DiDonato’s performance of ‘Schmerzen’ from the Wesendonck Lieder formed part of her ‘Eden’ album (3/22), a mixed programme crossing...
Reviewed by Hugo Shirley in issue: 02/2024
Of the composers who spanned the twilight of the Baroque and the dawn of the Classical period in Central Europe,...
Reviewed by David Threasher in issue: 02/2024
'Another invaluable set that puts pianophiles in APR’s debt once more'
New releases celebrate iconic recordings, fresh discoveries and musical adventures across the...
WiiM Ultra/VibeLink Amp: an ultra-compact take on the ‘just add speakers’ system, this affordable...
‘With Karajan controlling everything, would Large cave in and take what amounted to a secretarial...
‘Yudina really was a “symbol of nonconformism” among Soviet musicians, dressed like a nun and in the...
Mark Pullinger leafs through an idiosyncratic selection from Erato’s Bizet back catalogue
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