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Review of Handel at Home Vol 2: Total Eclipse

Handel at Home Vol 2: Total Eclipse

It’s one thing to say that you’re recording a programme of music fit for an 18th-century evening’s domestic music-making. It’s...

Reviewed by Charlotte Gardner in issue: 01/2024

Review of BOCCHERINI String Quintets

BOCCHERINI String Quintets

The Karski Quartet, founded in Belgium in 2018, take their name from Jan Karski, a Second World War resistance fighter,...

Reviewed by Adrian Edwards in issue: 01/2024

Review of BLISS; FERGUSON; HOLLOWAY Octets & Clarinet Quintet

BLISS; FERGUSON; HOLLOWAY Octets & Clarinet Quintet

The larger chamber combinations of wind and strings – one thinks of Beethoven’s Septet, Schubert’s Octet and the nonets of...

Reviewed by Jeremy Dibble in issue: 01/2024

Review of BEETHOVEN Violin Sonatas Vol 2 (Antje Weithaas)

BEETHOVEN Violin Sonatas Vol 2 (Antje Weithaas)

I found much to admire in the first instalment of Antje Weithaas and Dénes Várjon’s survey of the Beethoven violin...

Reviewed by Andrew Farach-Colton in issue: 01/2024

Review of BEETHOVEN String Quartets Vol 1 (Doric String Quartet)

BEETHOVEN String Quartets Vol 1 (Doric String Quartet)

The Doric are perhaps the foremost British string quartet at the moment, so their turn to Beethoven in their 25th-anniversary...

Reviewed by David Threasher in issue: 01/2024

Review of BEETHOVEN String Quartets opp 74 & 130

BEETHOVEN String Quartets opp 74 & 130

The six Op 18 Quartets now under their belts, the Chiaroscuro Quartet have chosen for the next instalment of their...

Reviewed by Charlotte Gardner in issue: 01/2024

Review of JS BACH Viola da Gamba Sonatas

JS BACH Viola da Gamba Sonatas

Yet another album of Bach’s sonatas for viola da gamba and obbligato harpsichord, I hear you sigh. Yet gambist Andrea...

Reviewed by Mark Seow in issue: 01/2024

Review of United Strings of Europe: through the night

United Strings of Europe: through the night

Just three years have passed since the United Strings of Europe released their first recording (2/21), but the London-based group...

Reviewed by Alexandra Coghlan in issue: 01/2024

Review of Aux étoiles - French Symphonic Poems

Aux étoiles - French Symphonic Poems

Name 15 French symphonic poems. Assuming Saint-Saëns’s Danse macabre and Dukas’s The Sorcerer’s Apprentice head your list, where next? After...

Reviewed by Mark Pullinger in issue: 01/2024

Review of SCHUMANN Symphonies Nos 1 & 3 (Herreweghe)

SCHUMANN Symphonies Nos 1 & 3 (Herreweghe)

These interpretations are not markedly different from Herreweghe’s period-instrument recording with the Champs-Élysées Orchestra on his first Schumann symphony cycle....

Reviewed by Andrew Farach-Colton in issue: 01/2024

Review of SCHMIDT Symphonies Nos 1-4 (Berman)

SCHMIDT Symphonies Nos 1-4 (Berman)

Although still rarely encountered in the concert hall, Franz Schmidt’s symphonies are increasingly well represented on record, this being at...

Reviewed by Christian Hoskins in issue: 01/2024

Gramophone Classical Music Awards Winner
Review of PROKOFIEV Symphony No 5 (Noseda)

PROKOFIEV Symphony No 5 (Noseda)

Not quite 20 years since the LSO recorded its last Prokofiev symphony cycle in a concentrated burst of performances at...

Reviewed by David Gutman in issue: 01/2024

Review of MUSTONEN Symphonies Nos 2 & 3 (Mustonen)

MUSTONEN Symphonies Nos 2 & 3 (Mustonen)

It is a curious feature of Olli Mustonen the composer that, rather like Stravinsky, he has written relatively little for...

Reviewed by Guy Rickards in issue: 01/2024

Review of MOZART Symphonies Nos 29 & 40 (Emelyanychev)

MOZART Symphonies Nos 29 & 40 (Emelyanychev)

This account of Mozart’s Symphony No 40 follows Il Pomo d’Oro’s recording of No 41, the Jupiter (4/23); no doubt...

Reviewed by Richard Lawrence in issue: 01/2024

Review of 'Mozart 1791'

'Mozart 1791'

Mozart’s Clarinet Concerto is most commonly coupled on recordings with the Clarinet Quintet or with a complementary concerto by another...

Reviewed by David Threasher in issue: 01/2024

Review of MOZART Piano Concertos Nos 7 & 10 (Cummings)

MOZART Piano Concertos Nos 7 & 10 (Cummings)

The latest stop on Robert Levin and the Academy of Ancient Music’s belated traversal of Mozart’s complete output for keyboard...

Reviewed by Jed Distler in issue: 01/2024

Review of MENDELSSOHN Symphonies Nos 3 & 5 (Emelyanychev)

MENDELSSOHN Symphonies Nos 3 & 5 (Emelyanychev)

The Scottish Chamber Orchestra made a wise choice when it elected Maxim Emelyanychev as its principal conductor. He’s a fine...

Reviewed by Richard Osborne in issue: 01/2024

Review of MAHLER Symphony No 8 (Vänskä)

MAHLER Symphony No 8 (Vänskä)

The Eighth is often the Mahler symphony that seems to inspire conductors who fall short in the others. That’s a...

Reviewed by Edward Seckerson in issue: 01/2024

Review of LEIVISKÄ Orchestral Works Vol 1 (Stasevska)

LEIVISKÄ Orchestral Works Vol 1 (Stasevska)

The ever-inquiring BIS label begins another series devoted to the orchestral output of Helvi Leiviskä (1902 82). Variously composer, critic...

Reviewed by Richard Whitehouse in issue: 01/2024

Review of KUUSISTO Symphony Op 39. Pictured Within. Birthday Variations for M.C.B

KUUSISTO Symphony Op 39. Pictured Within. Birthday Variations for M.C.B

An odd coupling, but you can just about get on board with the idea of two large pieces celebrating a...

Reviewed by Andrew Mellor in issue: 01/2024





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