Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Historical DVDs have either a primarily documentary interest, or – at their finest – recreate concert performances with such immediacy...
Reviewed by Ivan March in issue: 1/2003
This, of course, is the classic performance that cleared the TV schedules and launched Gheorghiu to super-stardom. Now the glamour...
Reviewed in issue 6/2001
Haydn is believed to have composed at least three concertos for solo horn, but one of them has disappeared, and...
Reviewed by rgolding in issue: 8/1989
Here is a solidly presented disc accompanied by a 95-page booklet, comprising Vol. 27 of the Philips Complete Mozart Edition....
Reviewed by Christopher Headington in issue: 5/1992
For all the resurgence of interest in church music of the French Baroque we still hear astonishingly little of Couperin's...
Reviewed by Nicholas Anderson in issue: 5/1985
It was an ingenious idea to couple parallel works by these two composers, all the more as Martinu, at the...
Reviewed by Lionel Salter in issue: 6/1996
The information on these discs might lead many to assume Holmboe had written an Alkanlike sequence of preludes‚ of which...
Reviewed in issue 12/2001
If the First Cello Concerto here fails to sound much like other Villa-Lobos works you may know, it's because it...
Reviewed by Lionel Salter in issue: 11/1989
During the second half of the 17th century and early 18th, the music of Jean-Baptiste Lully and the ceremonial, theatrical...
Reviewed by Julie Anne Sadie in issue: 12/2000
Composed respectively in 1957 and 1961, these Maconchy mini-operas were revived last year by the privately funded Independent Opera group....
Reviewed by David Gutman in issue: 5/2009
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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