Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
It is true no doubt that Beethoven had a rumbustious, heavy-handed, unpredictable side to his nature, but they are qualities...
Reviewed by Richard Osborne in issue: 3/1996
This unusual programme is imaginative and satisfying. Bernstein fans will want it for Halil, currently absent from the catalogue, and...
Reviewed by Christopher Headington in issue: 12/1994
Few of Daniel Barenboim’s infrequent past recorded encounters with Chopin hint at the depth, maturity, insight and tonal luster that...
Reviewed by Jed Distler in issue: 8/2011
Sinopoli’s live Dresden performance of the Ninth Symphony is long-drawn, intent, severely controlled. That was my first, not entirely favourable,...
Reviewed by Richard Osborne in issue: 6/1999
The idea of alternating trio sonatas with cantatas is a happy one, based perhaps on the idea that people play...
Reviewed by Stanley Sadie in issue: 13/1998
That Padre Soler wrote these six concertos for Carlos III's son, the Infante Don Gabriel de Borbon, to play with...
Reviewed by Lionel Salter in issue: 7/1992
Angela Hewitt has picked two of Schumann’s more recalcitrant offspring for her latest recital. While both are suffused with glorious...
Reviewed by Harriet Smith in issue: 12/2007
Like the other CDI/Pickwick CDs I have enjoyed this month (see pages 79 and 131), this concert is impeccably recorded....
Reviewed by Ivan March in issue: 6/1990
Musical Opinion, reviewing the newly published Op. 52 in 1931, concluded that, ''very accomplished musician'' as he undoubtedly was, Medtner...
Reviewed in issue 12/1995
Dowland's three Bookes of Songes (1597, 1600, 1603) and A Pilgrimes Solace (1612) form an unexcelled repository of English lute-song,...
Reviewed by John Duarte in issue: 11/1988
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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