Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
On the surface it would seem that Die Kluge and Der Mond make ideal bed-fellows—both are allegorical fairy-tale operas using...
Reviewed by Michael Stewart in issue: 3/1991
After years of total neglect, we have within months three CD versions of the Symphony No. 2. Like the new...
Reviewed by Edward Greenfield in issue: 7/1990
Bejun Mehta’s debut solo disc is more adventurous than hackneyed Handel recital programmes often are. Some of the selections were...
Reviewed by David Vickers in issue: 2/2011
Listening to the beginning of this record without knowing its contents was an unsettling experience. Repetitive, warmed-over Schumann, clumsily written...
Reviewed in issue 7/1986
In a very short article entitled ''Performing Greatness'' included at the end of the recently published The Keller Column (Lengnick;...
Reviewed by Stephen Johnson in issue: 4/1991
It is not particularly surprising that Jessonda should have been popular in its time nor that it should have been...
Reviewed in issue 11/1991
The odd man out here is the Magic Flute duet, arranged (with advantages, Mozart may or may not have thought,...
Reviewed by John Warrack in issue: 3/1997
DG's booklet says nothing at all about Rudolf Serkin and tells us only that Austrian Radio was responsible for this...
Reviewed by Stephen Plaistow in issue: 10/1989
The bad news straight away. Two external factors seriously undermine this disc. Firstly‚ the recorded sound is very close and...
Reviewed in issue 9/2002
The selection is an unusual one, and may well appeal to Berlioz collectors who want this particular combination; but such...
Reviewed by John Warrack in issue: 10/1991
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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