Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Not your average collection of Mahler symphonies, but one which, with pride, charts in words and music, the impact of...
Reviewed by John Steane in issue: 1/1999
“Orchestral Suites for a young prince” is what this release advertises, in reference to the fact that Sonnerie perform Bach’s...
Reviewed by Lindsay Kemp in issue: 8/2009
Cecilia Bartoli’s latest foray into Baroque music is adorned with what might be a contender for worst cover of the...
Reviewed by David Vickers in issue: 11/2005
Let’s face it: these adaptations by Boccherini of some of his other compositions won’t shake the world. Charles Burney’s epithets...
Reviewed by Nalen Anthoni in issue: 2/2001
Sir Julius Benedict (German-born, he was knighted in 1871) was central to musical life in Victorian England. His opera The...
Reviewed by Jeremy Nicholas in issue: 10/2009
Far be it for me to complain that record companies are giving us a surfeit of Franck. But new recordings...
Reviewed by Marc Rochester in issue: 9/1991
So much spatial information is written into Martinu's music that an over-active acoustic can all too easily upset the delicate...
Reviewed by Edward Seckerson in issue: 6/1991
There is some evidence that Dmitri Tsyganov, who made these violin and piano transcriptions of Shostakovich's Preludes with the composer's...
Reviewed by Michael Oliver in issue: 4/1988
One’s own vernacular is the language of common sense, and Il trovatore is not of that realm. The extremes of...
Reviewed by John Steane in issue: 11/2000
As the operatic opening cantilena of Ramón Carnicer’s Fantasía immediately demonstrates‚ Joan Enric Lluna‚ principal clarinet of the Bournemouth Sinfonietta‚...
Reviewed in issue 8/2002
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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