Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
As I remarked when reviewing Claudio Abbado’s cycle (DG, 12/95), I would not myself opt for any one conductor’s Mahler...
Reviewed in issue 3/1997
Marston's second two-disc tribute to Ernst Levy (born in Switzerland in 1895 though American-based for most of his life) focuses...
Reviewed by Bryce Morrison in issue: 4/2000
The phenomenal success of Maxim Vengerov, still in his early twenties, has rested till now largely on the Russian romantic...
Reviewed by Edward Greenfield in issue: 3/1999
Returning to this after a longish period (and without the American LPs now at hand for direct comparison), I find...
Reviewed in issue 10/1994
It comes as no surprise to learn that Glass’s Third Symphony (Wood‚ 190001) was ‘one of the most frequently performed...
Reviewed in issue 3/2002
Mozart's concertos for two and three pianos and orchestra, written at Salzburg in the latter half of the 1770s, might...
Reviewed by David Vickers in issue: 5/2008
Franci’s hyperbolic booklet-note leaves one in no doubt as to his advocacy of this music. There’s some exquisitely detailed playing...
Reviewed by kYlzrO1BaC7A in issue: 8/1999
These days each new Hoffmann seems to have not merely its individual cast but its own individual text. Not so...
Reviewed by Andrew Lamb in issue: 6/1989
One of the century’s legendary achievements on record confirms its reputation on this well-managed reissue. Here Toscanini’s blazing intensity, his...
Reviewed by Alan Blyth in issue: 3/1992
Honegger's wartime symphony for strings with trumpet obbligato is the most recorded of his five symphonies, and is one of...
Reviewed by Robert Layton in issue: 10/1988
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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