Search the Reviews Database

Mozart Piano Trios

A record which will surely be attractive to people with an interest in the historical approach to performing Classical chamber...

Reviewed by Stephen Plaistow in issue: 7/1985

Brahms Lieder

With Ludwig on the last lap of her career, Lipovsek bids fair to take her place in many spheres, not...

Reviewed by Alan Blyth in issue: 9/1993

Early Italian Music

This compilation breaks through the thin wall often erected between the vocal and instrumental musics by focusing recordings on one...

Reviewed by John Duarte in issue: 5/1986

Guitar Concertos

One might describe Goran Sollscher as 'the thinking man's guitarist': one who does nothing he has not thought through, and...

Reviewed by John Duarte in issue: 6/1990

Haydn The Creation

There is a great deal to be said for English performances of Die Schopfung (''The Creation'') being sung in English,...

Reviewed in issue 2/1989

Kraus Violin Concerto

Joseph Martin Kraus was an accomplished artist at both keyboard and violin, and like his contemporary Mozart, he turned to...

Reviewed by Peter Quantrill in issue: 2/2008

Barber; Korngold; Walton Violin Concertos

It’s an inspired coupling, as well as a generous one, to have these three high-romantic concertos together. James Ehnes gives...

Reviewed by Edward Greenfield in issue: 2/2007

Bartók Duke Bluebeard's Castle

After listening to this disc, I had a sneaking feeling that it might have been more up the ''Sounds in...

Reviewed by Lionel Salter in issue: 7/1986

Bartók String Quartets Nos 1 and 2

The Chilingirian Quartet give a pleasantly unforced account of Bartok's First Quartet, with a sensitive tonal blend and good intonation....

Reviewed in issue 6/1988

Gluck - Blessed Spirit

Gluck’s reputation today is based on his so-called “reform” operas Orfeo ed Euridice and Alceste, composed in Vienna in the...

Reviewed by Richard Lawrence in issue: 9/2010

---

 

Hi-Fi, Books, Reissues & Archive Reviews

Gramophone Guides

---

---

---

---

---

---