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Schumann & Hindemith Cello Works

Pieter Wispelwey is an acutely sensitive, impressionable cellist, spontaneously responsive enough to every passing innuendo in Schumann’s concerto to make...

Reviewed by Joan Chissell in issue: 8/1998

Duruflé Complete Choral Works

Tchaikovsky's half-hearted comments, which get much more dismissive, were occasioned by the enervating task of editing Bortnyansky's complete works for...

Reviewed by John Warrack in issue: 5/2000

Beethoven Symphonies Nos 5 and 6

The Fifth and Sixth make almost as stimulating a pair as the Fourth and Fifth, developing as they do several...

Reviewed by Peter Quantrill in issue: 8/2010

Berg/R.Strauss/Wagner - Orchestral Lieder

Like a long road that changes its name once or twice and offers varying scenery along the way, this programme...

Reviewed by John Steane in issue: 7/2000

Mozart Violin Concertos Nos 2 3 and 5

The first impression, here, as the orchestra begins the D major Concerto, is of plenty of spring in the step,...

Reviewed by Christopher Headington in issue: 9/1991

Britten War Requiem

Every recorded performance of Britten’s War Requiem has drawn the best from its interpreters – no wonder, considering the greatness...

Reviewed by Alan Blyth in issue: 6/1998

Rimsky-Korsakov The Legend of the Invisble City of Kitezh

Rimsky-Korsakov's pen-ultimate opera was never popular at home in Soviet times, even with a text rewritten for Communist purposes, partly...

Reviewed by John Warrack in issue: 12/1999

Schnabel Piano Works

Composer-performers tend to programme their own music at the first opportunity, but Artur Schnabel was different. He felt that every...

Reviewed in issue 8/1996

Lauritz Melchior & Albert Coates

It is good to see the Heldentenor of the century remembered in his centenary year, having said which I fear...

Reviewed in issue 7/1990

Medtner Piano Works, Volume 7

There are few stranger, more recondite figures in the entire history of music than Nikolai Medtner. Recently he has been...

Reviewed in issue 7/2001

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