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Sibelius Violin Concertos

Over the past dozen years or so, Christian Tetzlaff has made a number of outstanding recordings for Virgin Classics, and...

Reviewed by Andrew Achenbach in issue: 4/2003

Mozart Piano Concertos Nos 12 & 24

Maurizio Pollini has yet to attain the expertise of conductor/pianists such as Edwin Fischer, Daniel Barenboim, Leonard Bernstein, Mikhail Pletnev,...

Reviewed by Nalen Anthoni in issue: 8/2008

(The) Piano Music of Earl Wild

Although Earl Wild recorded his own Gershwin transcriptions incomparably, that hasn’t stopped other pianists from taking a crack at them...

Reviewed by Jed Distler in issue: 1/2011

In Dulci Jubilo

Comparison is always instructive, and one thing to emerge clearly from this new record is how much finer Schutz is...

Reviewed by Iain Fenlon in issue: 3/1987

Horn Concertos

Hermann Baumann is a horn player of skill and sensitivity. He contributes a helpful article in the CD booklet reminding...

Reviewed in issue 5/1985

Schelle Baroque Christmas Music

North and central German seventeenth-century Advent and Christmas music has long had a special place in my affections; and it...

Reviewed by Nicholas Anderson in issue: 5/1994

Brahms Lieder

''Was der Liebe wehe tut''—what causes pain to the lover, the last line of Brahms's Op. 57 No. 2—might almost...

Reviewed by Alan Blyth in issue: 5/1988

Beethoven/Tchaikovsky Violin Concertos

It is good to have Pinchas Zukerman returning to the Beethoven Violin Concerto. It was in the late 1970s that...

Reviewed by Edward Greenfield in issue: 11/1992

Rubinstein The Demon

It was an excellent idea to record Wexford’s 1994 production of The Demon, Rubinstein’s most popular opera (it was given...

Reviewed by John Warrack in issue: 3/1996

Stenhammar Music for the Theatre

Unlike his friend and contemporary‚ Sibelius‚ Stenhammar produced most of his incidental music in the last decade of his life....

Reviewed in issue 13/2002

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