Review - French School Pianists Play French Concertos
'Another invaluable set that puts pianophiles in APR’s debt once more'
Christopher Kite plays on a copy of a 1784 Stein fortepiano, and a most attractive instrument it is, well suited...
Reviewed by John Warrack in issue: 8/1989
Sally Beamish wrote her flute concerto in 2005, and those who have been enjoying her admirable Viola Concerto No 2...
Reviewed by Arnold Whittall in issue: 3/2009
At over 72 minutes, this is a generous disc in terms of duration. It is reasonably attractive musically, too. Jeno...
Reviewed by Christopher Headington in issue: 9/1988
Here is the reissue of yet another version of this work. It has much to commend it. First of all...
Reviewed by Alan Blyth in issue: 8/1993
This isn’t La vie parisienne but rather Pariser-Leben – Offenbach’s 1866 ‘play with songs’ reached Vienna and then Berlin just...
Reviewed by Patrick O'Connor in issue: 6/1999
Presenting history via sound – not merely illuminating neglected chapters of music history – lies behind Jordi Savall’s series of...
Reviewed by Julie Anne Sadie in issue: 2/2011
A happy expectancy attends Elly Ameling's programmes, in which nothing is predictable except enjoyment. Here she ranges more widely over...
Reviewed in issue 3/1985
Does Schumann's Second Symphony require special pleading? This former black sheep of the family certainly needs more positive direction and...
Reviewed by John Steane in issue: 2/1991
Zdenek Tylsar is a fine player, phrasing musically and showing an excellent feeling for the Mozartian line. Technically he is...
Reviewed by Ivan March in issue: 6/1986
Jean Gilles may not be a well-known name, but his Requiem of 1705 was once one of the most admired...
Reviewed by Lindsay Kemp in issue: 5/2003
'Another invaluable set that puts pianophiles in APR’s debt once more'
New releases celebrate iconic recordings, fresh discoveries and musical adventures across the...
WiiM Ultra/VibeLink Amp: an ultra-compact take on the ‘just add speakers’ system, this affordable...
‘With Karajan controlling everything, would Large cave in and take what amounted to a secretarial...
‘Yudina really was a “symbol of nonconformism” among Soviet musicians, dressed like a nun and in the...
Mark Pullinger leafs through an idiosyncratic selection from Erato’s Bizet back catalogue
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