STÖLZEL Ein Lämmlein geht und trägt die Schuld, Passion Oratorio
Stölzel’s Passion oratorio Ein Lämmlein geht und trägt die Schuld was originally written in about 1720 for Gotha, where its...
Reviewed by David Vickers in issue: AW21
REGNART Missa Christ ist erstanden & other works
Regular readers will know that I hold Cinquecento in especially high regard so it will come as no surprise if...
Reviewed by Edward Breen in issue: AW2021
PURCELL Birthday Odes for Queen Mary (The King's Consort)
For the second time in a career, 30 years since their last account, Robert King and The King’s Consort are...
Reviewed by Alexandra Coghlan in issue: AW21
MARSH Sanctifica Nos: Works for Choir, Organ and Viol Consort
Imagine, if you will, an alternative history, or a parallel musical universe perhaps, where the violin family did not usurp...
Reviewed by Malcolm Riley in issue: AW21
LLOYD WEBBER Cinderella
Tale as old as time … but clearly with half an eye on the Instagram age. Hearing this concept album...
Reviewed by Edward Seckerson in issue: AW21
LISZT 'Freudvoll und Leidvoll' (Jonas Kaufmann)
Songs of the legendarily charismatic Franz Liszt would seem – at least in theory – a great fit for magnetic...
Reviewed by David Patrick Stearns in issue: AW21
JOSQUIN 'Josquin Desprez in Italia'
‘Giosquino’ is the title of this album from Italian ensembles, which brings together several works composed during Josquin’s periods of...
Reviewed by Fabrice Fitch in issue: AW21
Songs For New Life and Love
Ruby Hughes’s last solo album for BIS (2/20), recorded with the BBC National Orchestra of Wales, featured Berg and Mahler...
Reviewed by Hugo Shirley in issue: AW21
CAVALLI Hymns and Psalms
Cavalli’s fame as an opera composer may once have eclipsed his sacred music but in the 25 years since Concerto...
Reviewed by Fabrice Fitch in issue: AW21
CANTELOUBE Chants d'Auvergne (Carolyn Sampson)
There’s a lot of classy competition when it comes to recordings of Canteloube’s Chants d’Auvergne but happily this new BIS...
Reviewed in issue AW21
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