Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
A gilels record was always a special event. In the first place it was gratifying to have a significant addition...
Reviewed by Richard Osborne in issue: 12/1985
This is a generous but not particularly essential portion of Flagstad's releases. Her pre-war and wartime Victors have never seemed...
Reviewed by Alan Blyth in issue: 10/1990
Anyone who has a copy of the October 1979 issue will find my favourable views on this performance expressed at...
Reviewed by Alan Blyth in issue: 1/1987
Exemplary clarity, but the insistent thrust in Mozart’s fast movements is wearing. Rémy Cardinale and Hélène Schmitt exult in precision...
Reviewed by Nalen Anthoni in issue: 9/2011
Any production of Norma stands or falls on the performance of the title-role. In this attractive but ultimately bizarre and...
Reviewed by Patrick O'Connor in issue: 11/2006
Further proof that Sir Edward Downes is an Elgarian to be reckoned with. His Conifer Classics Enigma (1/91), full of...
Reviewed by Andrew Achenbach in issue: 6/1994
Vivaldi's Venetian contemporary, Antonio Caldara, divided his working life between Italy and Austria where for the last 20 years of...
Reviewed by Nicholas Anderson in issue: 2/1993
Zelenka, a Czech, was born in Prague but spent most of his active musical life in Dresden. There he played...
Reviewed by Nicholas Anderson in issue: 4/1991
Daniele Gatti made waves with an outstanding, heart-on-sleeve account of Mahler’s Fifth Symphony (Conifer Classics, 5/98), and, even if this...
Reviewed in issue 10/1999
Angela East’s Bach Cello Suites have been a long time in the pipeline. They were actually recorded in 2001 and...
Reviewed by Lindsay Kemp in issue: 3/2010
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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