Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Don’t be taken aback by so much rubato because it is legitimate. The treatises of Diruta‚ Quantz‚ Mattheson and Walther...
Reviewed in issue 3/2002
This recording presents a selection of renaissance lamentations – a frequent theme in an age when premature mortality was far...
Reviewed by Fabrice Fitch in issue: 7/1996
Hyperion long ago paid signal service to Bruckner’s mature settings of the Mass with recordings by Matthew Best’s Corydon Singers...
Reviewed by Marc Rochester in issue: 11/2007
This ‘mystic tale’ in oratorio form by Milhaud’s disciple, the Neapolitan composer Antonio Braga, was written about 30 years ago...
Reviewed by Lionel Salter in issue: 3/1999
“Mozart: The Last Concertos” runs the rubric on the CD booklet, though as a counter to any sentimental “swansong” associations,...
Reviewed by Richard Wigmore in issue: 5/2008
A thought-provoking attempt to prise open the most imposing work of the organ repertoire contrasts an urtyp account on a...
Reviewed in issue 10/1998
The first two movements of Karajan's 1962 Pastoral were generally acounted the least successful in the whole of that distinguished...
Reviewed by Richard Osborne in issue: 8/1988
The original 1874 version of Bruckner’s Fourth Symphony is rarely heard nowadays. When Bruckner revised the score in 1878/80 he...
Reviewed by Richard Osborne in issue: 10/2005
Galindo's Sones de Mariachi is the clear winner here, an engagingly roisterous piece, orchestrated with raucous flair that would make...
Reviewed by Ivan March in issue: 8/1985
This is the most entertaining modern recording of what is usually counted a forbidding work. You may even feel that...
Reviewed in issue 6/1997
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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