Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Another impeccable production from the Leipzig Quartet on Dabringhaus und Grimm, and further confirmation of how this most responsive of...
Reviewed in issue 10/1999
There can be few people today who have seen Conradin Kreutzer's most famous opera. Over 40 years the indexes of...
Reviewed by John Warrack in issue: 1/1994
The common denominator here is the big Serenade, K185, commissioned by the Antretter family of Salzburg and first performed in...
Reviewed by Richard Wigmore in issue: 10/1991
This budget label has the appearance of higher-priced product, and includes notes, texts and translations, but closer inspection of the...
Reviewed by John Steane in issue: 3/1999
Here is a real treat for true organ buffs. This wonderful instrument, the oldest example of Silbermann's craft still in...
Reviewed by Marc Rochester in issue: 10/1991
The important item here is the complete set of the Op 33 songs. Without wanting to dismiss the very real...
Reviewed by Richard Fairman in issue: 2/2003
There can never be enough recordings of this endlessly fascinating opera. Haitink’s new set was recorded simultaneously with a live...
Reviewed in issue 12/1997
Let me say immediately that the playing here is refined and has a genuine sense of style, and the recording,...
Reviewed by Ivan March in issue: 10/1989
Losing nothing of her freshness and individuality, Lucia Popp has delighted us in recent years with the judicious extension of...
Reviewed by jswain in issue: 12/1983
Samstag—''Saturday''—the second part of Stockhausen's seven-opera cycle Licht, was written between 1981 and 1984 and first staged complete in Milan...
Reviewed by Arnold Whittall in issue: 3/1989
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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