Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
At first glance Kabalevsky's cello concertos seem to have many of the same expressive fingermarks as Prokofiev and Shostakovich without...
Reviewed by Robert Layton in issue: 6/1994
There are nine available versions of Debussy's early and embarrassingly immature Trio including this new one – which says something...
Reviewed in issue 8/1995
Strauss asked his interpreters to play Salome and Elektra as if they were by Mendelssohn, Beecham, like Clemens Krauss, was...
Reviewed by Robert Layton in issue: 9/1989
What a good idea to include the violin concerto movements from the Haffner Serenade as a filler, rather than the...
Reviewed by DuncanDruce in issue: 4/2000
Two aspects of Lassus come across with particular clarity here. First, as JM mentions in his helpful note, the clue...
Reviewed by David Fallows in issue: 4/1989
This is the second in a two-volume anthology of orchestral suites by Rameau, played by Capella Savaria under the direction...
Reviewed by Nicholas Anderson in issue: 7/1997
With Mark-Anthony Turnage now associate composer of the BBC Symphony Orchestra and Leonard Slatkin working for Chandos, this cornucopia of...
Reviewed by David Gutman in issue: 3/2003
After listening to conducting like this, you might ask why the Romanian Silvestri, during his final decade in France and...
Reviewed by John Steane in issue: 2/1999
Reviewing an earlier issue in the CPO Pfitzner series (5/91) I noted ''the problematic nature'' of his orchestral music. This...
Reviewed by Arnold Whittall in issue: 7/1993
The 1942 Schumann recording is, for British collectors at least, a far rarer bird than the Brahms: it never enjoyed...
Reviewed in issue 8/1997
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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