Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This is another excellent disc in the Tring/RPO Beethoven series (Piano Concertos Nos. 2 and 3 were reviewed in 1/97)....
Reviewed by Richard Osborne in issue: 6/1997
Richard Meale (b. 1932) was for many years a standard-bearer of the Australian avant-garde. Over the last two decades or...
Reviewed by Andrew Achenbach in issue: 9/1996
Two immediate reactions to the very first sound of the voice concerned identities. As in a waking dream I said...
Reviewed in issue 10/1996
This is an unusual programme, but none the worse for being so. One unifying factor is, of course, the viola,...
Reviewed by Christopher Headington in issue: 9/1994
I don’t know what quality or style of singing is expected of ‘ye choirs of new Jerusalem’ but they could...
Reviewed by John Steane in issue: 12/2002
The Schubert series of Brendel and Schiff, the return of Richter—to say nothing of Ashkenazy's own conducting career with its...
Reviewed by hfinch in issue: 4/1995
Reviewing the complete set, RO found Haitink's No. 2 ''curiously lack-lustre … the tempos often rather broad, the dramatic temperature...
Reviewed by Stephen Johnson in issue: 7/1989
Doriot Anthony Dwyer, for many years the first flute of the Boston Symphony Orchestra, is undoubtedly the right soloist for...
Reviewed by Peter Dickinson in issue: 3/1993
This is a shrewd pairing of generally impressive recordings of Rossini’s two great – but very different – choral works....
Reviewed by Richard Osborne in issue: 7/1996
Dvorakians weaned on the 1976 DG version of the First Quartet are in for quite a jolt. Whereas the Prague...
Reviewed by Andrew Achenbach in issue: 4/1998
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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