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Review of Monteverdi Vespers

Monteverdi Vespers

The technical and interpretative problems of the Monteverdi Vespers of 1610 are legion. Should the entire volume be performed as...

Reviewed by Iain Fenlon in issue: 5/1985

Review of Liszt Piano Works, Vol. 1

Liszt Piano Works, Vol. 1

I am not one to endorse the opinion that the late-Liszt style was one of a constantly high quality. Nor...

Reviewed by James Methuen-Campbell in issue: 1/1987

Review of (The) Da Vinci Code - OST

(The) Da Vinci Code - OST

You can’t avoid it. Even the soundtrack has courted advance publicity. The British Board of Film Classification requested that Hans...

Reviewed by Adrian Edwards in issue: 8/2006

Review of Bach Cantatas, Vol 45

Bach Cantatas, Vol 45

By 1726 new cantatas appeared sporadically, as Bach drew increasingly on the work of his contemporaries for Sunday worship. Quality,...

Reviewed by Jonathan Freeman-Attwood in issue: 1/2011

Review of Beethoven Septet, Op 20; Hindemith Octet

Beethoven Septet, Op 20; Hindemith Octet

The impeccable ensemble and superb soloist skills of the Vienna Chamber Ensemble magnificently highlight the elegance of Beethoven’s musical discourse...

Reviewed in issue 4/1996

Review of Opera Gala

Opera Gala

With one of the richest and most powerful voices of the age, Alessandra Marc has not been taken up, as...

Reviewed by John Steane in issue: 1/2001

Review of Shchedrin (The) Sealed Angel

Shchedrin (The) Sealed Angel

Ever the stylistic chameleon, Rodion Shchedrin here continues the tradition of Rachmaninov’s choral cycles. The nine anthems are interspersed with...

Reviewed by kYlzrO1BaC7A in issue: 2/1999

Review of Chopin piano music

Chopin piano music

We're told that the 37-year-old Zurich-born Werner Bartschi is an artistic personality not conforming ''to the usual standards of the...

Reviewed by Joan Chissell in issue: 6/1987

Review of Bach; Beethoven; Shostakovich Piano Works

Bach; Beethoven; Shostakovich Piano Works

Tatyana Nikolaieva’s playing is puzzlingly variable, switching from fluency to awkwardness. Some aspects of the music seem to stress her...

Reviewed by Nalen Anthoni in issue: 12/2003

Review of Berlioz Orchestral Works

Berlioz Orchestral Works

The exaggerations of this performance of the Symphonie fantastique do not really accord with Berlioz's subtle sense of extremes. Batiz...

Reviewed by John Warrack in issue: 7/1994


 

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