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Review of MEYERBEER Le Prophète (Elder)

MEYERBEER Le Prophète (Elder)

The 21st-century Meyerbeer revival – much talked about, not all that tangible – is so far bearing more fruit on...

Reviewed by Neil Fisher in issue: 09/2024

Review of LULLY Armide (Dumestre)

LULLY Armide (Dumestre)

Like Christophe Rousset and Les Talens Lyriques, Vincent Dumestre and Le Poème Harmonique are working their way through the operas...

Reviewed by Richard Lawrence in issue: 09/2024

Review of LEITH Last Days

LEITH Last Days

‘A place where flecks of magic are chipped or hacked from mundanity – where the familiar and domestic are heightened...

Reviewed by Thomas May in issue: 09/2024

Review of LANGGAARD Antikrist (Zilias)

LANGGAARD Antikrist (Zilias)

With the Deutsche Oper Berlin’s 2023 staging of Antikrist, Rued Langgaard’s only opera received arguably its highest-profile production since it...

Reviewed by Hugo Shirley in issue: 09/2024

Review of JANÁČEK The Excursions of Mr Brouček (Kyzlink)

JANÁČEK The Excursions of Mr Brouček (Kyzlink)

Surreal? Avant-garde? Or just sloppy? In the booklet notes for this new recording of The Excursions of Mr Brouček, annotator...

Reviewed by David Patrick Stearns in issue: 09/2024

Gramophone Classical Music Awards Winner
Review of CILEA Gloria (Cilluffo)

CILEA Gloria (Cilluffo)

If you enjoy Francesco Cilea’s Adriana Lecouvreur, you might be pleasantly surprised by its successor, Gloria. That’s no aspersion on...

Reviewed by Richard Bratby in issue: 09/2024

Review of Queen of Hearts

Queen of Hearts

The Gesualdo Six, an ensemble of male voices, was formed in Cambridge in 2014 to perform Gesualdo’s Tenebrae Responsories of...

Reviewed by Iain Fenlon in issue: 09/2024

Review of The Past & I: 100 Years of Thomas Hardy

The Past & I: 100 Years of Thomas Hardy

Though Thomas Hardy is best known as the author of well-known (and for the most part) fatalist novels, he aspired...

Reviewed by Jeremy Dibble in issue: 09/2024

Review of Magnificat 4

Magnificat 4

This final album of Andrew Nethsingha’s acclaimed ‘Magnificat’ series features recordings made during 2022. It also marks the close of...

Reviewed by Malcolm Riley in issue: 09/2024

Review of Im wachen Traume

Im wachen Traume

At the risk of sounding like a damaged sound file (as opposed to a broken record): did anybody listen to...

Reviewed by David Patrick Stearns in issue: 09/2024


 

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