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Review of MASSENET Werther (Vashegyi)

MASSENET Werther (Vashegyi)

Some will doubtless raise eyebrows at Bru Zane’s inclusion of Werther in their ongoing re-evaluation of the lesser-known French repertory....

Reviewed by Tim Ashley in issue: 07/2024

Review of DE LA GUERRE Céphale et Procris (van Mechelen)

DE LA GUERRE Céphale et Procris (van Mechelen)

Élisabeth Jacquet de La Guerre’s Céphale et Procris (March 1694) was the first and only full-scale tragédie en musique to...

Reviewed by David Vickers in issue: 07/2024

Review of HANDEL Poro, re delle Indie (Angioloni)

HANDEL Poro, re delle Indie (Angioloni)

Poro (King’s Theatre, February 1731) was modelled on Metastasio’s Alessandro nell’Indie, which had just recently been first set to music...

Reviewed by David Vickers in issue: 07/2024

Review of GLUCK Orfeo ed Euridice (Plewniak)

GLUCK Orfeo ed Euridice (Plewniak)

It is clear from his introductory note in the booklet that the moving spirit behind this recording is Jakub Józef...

Reviewed by Richard Lawrence in issue: 07/2024

Review of DONIZETTI L’esule Di Roma (Rizzi)

DONIZETTI L’esule Di Roma (Rizzi)

Experimental Donizetti? Do those words ever belong together? Experimental or not, L’esule di Roma (‘The Exile from Rome’), premiered in...

Reviewed by David Patrick Stearns in issue: 07/2024

Review of Fenella Humphreys: Prism

Fenella Humphreys: Prism

Just when you thought the pandemic’s musical fruits were all harvested … During the spring 2020 lockdown, Fenella Humphreys –...

Reviewed by Charlotte Gardner in issue: 07/2024

Review of Alexandre Tharaud & Friends: Four Hands

Alexandre Tharaud & Friends: Four Hands

Alexandre Tharaud’s splendid idea was ‘to put together an album for the sheer pleasure of it, in collaboration with dear...

Reviewed by Jeremy Nicholas in issue: 07/2024

Review of Landmarks of Recorded Pianism, Vol 3

Landmarks of Recorded Pianism, Vol 3

This third festival of (mainly) hiss-and-crackle rarities is a very mixed bag indeed. Only the most curious pianophiles need apply....

Reviewed by Jeremy Nicholas in issue: 07/2024

Review of VISÉE Theorbo Solos (Jakob Lindberg)

VISÉE Theorbo Solos (Jakob Lindberg)

Robert de Visée was the foremost guitarist and lutenist at the court of Louis XIV and a member of the...

Reviewed by Fabrice Fitch in issue: 07/2024

Review of SEABOURNE My Song in October

SEABOURNE My Song in October

During the almost quarter-century since Peter Seabourne (b1960) made his belated return to composition, the Steps piano cycle has grown...

Reviewed by Richard Whitehouse in issue: 07/2024


 

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